#like a suburb kinda but not rich but lots of kids
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#asking cause i live in a highly populated area#like a suburb kinda but not rich but lots of kids#but our closest bus-stop is like 15-20 mins and it drives me insane
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i’d love more jean hcs, im obsessed with her. what was her childhood like and her life before she met cros, how did they meet?
all of these apply to both side a and b of the au <3 things don’t really split off between them until the boys are out of bagram.
my girllllll. i love her so much.
- grew up in iowa in the same town croz did. very a typical suburbs white picket fence family. dad worked a 9-5 mom stayed home, did dance and soccer and all in all had a pretty normal childhood.
- def one of those little girls that got called bossy when they weren’t *mean*, just assertive. very self assured and in spite of everything she goes through as an adult that never really changes.
- big summer camp kid. makes her laugh a little when jj is the first kid they try to send to sleep away summer camp and he cries sooo much they have to go get him. even though her home life was *fine* she was a really independent kid and couldn’t wait to go away for a couple weeks the second school got out.
- was always the one teaching the other girls how to make super complicated friendship bracelets. holds on to a lot of the ones other people gave her even as an adult. sentimental like that <3
- her and croz met as kiddos. weren’t best friends right off the bat and were a grade apart but. he was very very shy and little miss assertive told people off at recess for picking on him.
- and sweet little 9 year old croz was so 😧 at this assertive little girl a grade below him going off at someone like that. had a lil crush on her immediately lmao.
- she goes by jeanie as a teenager into being an adult but when she’s a kid she hateddddd it. thought it was too babyish and would very bluntly tell people her name is je-an and that’s it.
- but croz calls her jeanie and she doesn’t have the heart to correct shy little boy that seems a little lonely. so she lets him do it. no one else though.
- they actually start talking enough to become true friends in middle school. and in true 13 year old girl fashion she’s distraughtttt when he goes off to high school a year before her. big dramatic tears about how he’s gonna forget her and find some pretty blonde high schooler that’s cooler to hang out with instead.
- and this is before they’re even datinggg 14 year old croz is like uhhh no i won’t (: don’t worry (: and how hard he fumbled that keeps him up at night lmfao.
- but obviously he does not forget about her and they start dating in high school. do all the stereotypical high school sweetheart things. prom, football games etc etc.
- croz is one of those kids that eats lunch with his english teacher bless his heart. very bookish and jeanie finds that so endearing about him.
- school wise jeanie does cheer and really likes math (: smart as a whip and it’s one of the many reasons croz adores her. thinks she’s just the coolest smartest girl ever and is sometimes worries she might be wasting her time with him of all people.
- their parents think they’re good for each other and are happy to joke about how ohhh those two are gonna get married and give us grandbabies someday hahaha (: isn’t that nice (:
- which is rich when both sets of parents full 180 and are kinda. fucking monsters when they have an Oops and she gets pregnant w/ jj right out of high school.
- in side a where croz is much alive during all the meadow stuff that’s a hugeee part of why he’s so pissed about everything. obv jj isn’t as young as he was and meadow is older than jeanie was by a few years. but she’s still /young/. and he can still see in his head how hard it was for them when jj was a baby, they were so clueless and he was terrified he’d gone and ruined jean’s life. doesn’t want that for his son, doesn’t want that for meadow <\3
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Not really an ask but its Homeward Bound related: I’m so okay with spoilers and I’m so obsessed with the new Spider gang :,,,) Harry Osborn you are so dear to me. What’s he up to in the sequel while Harley is getting beaten down violently by life?
HARRY!!!!!! oh my god okay i already rambled so much about hb harry in this ask that i answered but i will GLADLY ramble more about my son. my boy. center of my universe.
so, in order to address harry in the sequel, we kinda have to recap where he’s at in the first fic.
so, slight spoiler: the last three chapters dont have like a whole lot of harry or gwen. like they’re in it, but like i’ve said before, homeward bound is PETER’S story post no way home and focuses solely on him, which is why the whole fic is told from his pov. peter’s story post no way home obviously is heavily influenced by him meeting harry and gwen, but for this final stretch of the fic, it’s mostly about peter and harley and the climax of the investigation and then the last chapter is kind of leading into the next era of the series. so these last three chapters definitely have harry and gwen in them, but only in small portions, as it’s focusing more on wrapping up the first fic and transitioning into the second fic, which is peter and harley’s story post homeward bound.
hopefully that makes sense? it adds up in my head but idk if i’m explaining it very well lmao.
but! anyway! hb harry in the sequel:
so, in the first fic, a lot of stuff has been hinted at for harry. a lot of unexplained stuff has been brought up, you know? such as his inherent desperation for friends, his anxieties, just how hard it hit him when peter told him about being an orphan twice over. i mean, yeah, harry has revealed a lot, too, mostly in very rambly texts to peter trying to explain himself and why he values their friendship (both between just him and peter as well as their friend group as a whole) where he does explain that he’s never had friends before and such. and again, in the post i linked above, i do ramble quite a bit about harry, including some important bits that i'm gonna bring up here:
i haven’t really gone in depth with his background prior to the start of the fic - all that’s really been established is that he was raised by his single mom, emily, in the suburbs of new york, and up until esu, he never had any friends, which contributes to why he values his friendships with peter, gwen, and harley so much. and, obviously, he doesn’t know who his dad is and doesn’t really care to find out. his background is going to be explored more down the line in the series...but what i’ll say here is that his childhood was pretty confusing to him. he was happy with his mom, yeah, and he may not have been raised rich but he was never poor, either - he never worried about food or clothes that fit or losing their house. he grew up comfortable. but also he grew up unsure about a lot of things. he was never able to make friends because he didn’t really understand how. the kids at school never seemed to struggle with talking to each other and making up games on the spot and becoming friends in a matter of minutes, but his brain just never worked like that. he could never figure out what to say, he could never really get into the games the other kids wanted to play, and while he liked running around a playground sometimes, he always preferred a book or a worksheet. he’s not neurotypical, is basically what i’m trying to say. then again, literally none of these characters are, but harry was never like a “normal” kid...so basically, harry struggled to understand a lot of things, like how to make friends, like why he didn’t know who his dad was (his mom has always told him that it doesn’t matter, which is kind of why harry now doesn’t care because he’s always been told it doesn’t matter so why would be care about something that doesn’t matter, right?), and various other things in the world and the people around him.
so, all of that ^ is going to come into play the further into the series that we get. but it doesn't get properly explored until the third fic, which is going to introduce harry's pov (as well as some other characters). in the second fic, though, it's building off what we already know while continuing to hint more at other things.
here's some things to consider:
harley now knows about spider-man, meaning that peter and harley are now going to have another layer to their bond that neither of them are going to have with harry or gwen. harry has already been shown to have anxiety about his friends leaving him behind and, while harley and peter's dynamic is going to change to more than a friendship which is going to bring some comfort to harry due to him being able to rationalize that of course they're closer, they're literally into each other romantically, that anxiety isn't going to go away.
as harley becomes more and more involved in the spidey side of peter's life, he's going to become more and more protective of peter ("my mama says i have the heart of a protector" - harley, chapter 2 of homeward bound) and while he's going to logically know that harry and gwen are their friends and they mean the best and would never hurt peter, that protectiveness is going to lead to occasionally bumping heads (and also some tension between him and peter because peter doesn't need to be protected and is going to struggle with letting someone step up for him like that after losing everyone else who ever did, whilst harley is going to struggle with fighting the intensity of his protectiveness as this is his first time wanting to protect someone that he has such intense feelings for, etc etc.) so harry's anxieties are going to be kind of worsened at times because of harley occasionally letting his protectiveness get the better of him.
harry isn't stupid. he doesn't want to assume his friends are lying to him (part of why it took him so long to get to the point where he gets genuinely upset with peter in hb about all the lying and hiding) but when everything points to him being left in the dark about something, he's going to draw the proper conclusion. harley knows about spidey. gwen doesn't know about spidey, but she knows about peter's investigation and is going to continue to bring it up to peter even in the sequel. harry doesn't know anything other than the fact that peter's lost all of his family and has a lot of scars that he doesn't know the origins of.
what that ^ means is that we're going to be getting some very curious and suspicious harry content. and also:
i have the entire scene for when harry finds out about spidey planned. and i am very excited to write it. (hint: the scene is originally told in harley's point of view, and then it comes back in a flashback in harry's point of view later in the series)
i'll stop there but just know that, while there is definitely plenty of harry content in the second fic, the THIRD fic is where it's really going to go in depth with him as a character!!
#homeward bound fic#homeward bound fic spoilers#harry osborn#i wanna tag parkner bc i mentioned their dynamic multiple times...#but it's under the cut so i won't actually but just know i wanted to
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I love being a spoiled rich white boy!!!
(I'm mixed race and my parents can barely afford rent!!!!)
Man, this is pathetic.... I just want to be a higher middle class child living in the suburbs but i live in this dirty broke as part of town. I guess I'll just be thankful for what i have, i genuinely do get a lot more than others around me.... And well... Guess I'm just around bunch of other lower middle class kids. I kinda like that.
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( cracks knuckles) okay let's do this in chunks.
1) Shauna's parents do want their daughter to succeed in life. They don't come from a crazy rich family or let alone a family that can at least live comfortably like Jude and Dante. They see their daughters smarts and see her potential and think " this can get her to live her life comfortably", and thus the active pushing for her to focus on science and technology. But again, it's not what she wants. She wants to go around making memories, but that's not " being productive" and she's " just goofing off". Again, they want the best for their daughter, but I don't think they realize they're weighing her down( she took the voyage by professor Sycamore as an escape tbh).
2) Pokemon is an idealistic world so fortunately we don't have to worry about paying for every romantic site. I do think traveling requires some money in general, but I think Kalos would make it way worse if they reaaaally wanted to. Again fortunately that's not the case!
3) Tierno's "problem" is that he's kinda average. Nothing makes him stand out outside of his dancing. He's not boring- far from it - but he's been put in a place of ' oh I guess I can't do much with my dancing? It's not really important....' which SUCKS LET THIS BOY DANCE. I should mention that most of these comments are coming from the few upper classmen/ rich folk he has met in his life. Yes, it's just the few, but it left a mark on him. ( This honestly can be said about all of kalos. I generally think most people aren't suuuuper strict on their culture around beauty, it's just that there's so many corporations and people in power that are. I think lysandre was a much needed wake up call). And yeah, unfortunately, him being a fat kid does okay into this dismissal of his character. Conventional beauty standards are a bitch, and poor Tierno has probably dealt with his fair share of nasty comments ( bc of this Shauna, Dante and Trevor are much more combative when it comes to any insults thrown towards their friend. They WILL fuck someone up- especially Shauna. )
3) Jude is again another person who is really interesting in this context bc yes, their mom is famous, yes, they have the money to live comfortably in the suburbs of Kalos ( does Grace even work now? I don't know-). But here's the thing. Jude was an orphan. Jude was an orphan in a system that did not treat her kindly. He has seen the systems bullshit in Kanto, and can see it in Kalos - and bc of the whole cultural difference it's kinda like. Whiplash after whiplash. Jude and Grace have only been in each other's lives for....two years by then? Yeah that's a decent amount of time for Jude to get used to their new life style ( and to an extent, they do, they like having their own room lol), but like. It's Jude. They're not gonna forget what came before Jude and doesn't exactly completely fall for their new lavish life style. I think what I'm trying to say that in comparison to Dante, Jude is more.....grounded? Privileged, yes, but also not? I don't know if that makes sense. They still experience what Shauna and the others experience at some level.
4)Going into Dante real quick he's funny bc he's not Rich Rich. He's comfortable rich, which is something not a lot of people can say they are. So I can see it where while he is actively reaping the benefits of his status ( without really being aware of it), he's not totally among the elites, you know? And I think his parents want their son to have good principles and not fall back on his money ( thus resulted in a surprisingly practical and stubborn kid who would rather work hard than have things given to him - unfortunately he does not realize that a lot of things are being given to him-). Again it's interesting bc Dante doesn't want to be known for his money, or his looks ( though he does take care of his appearance), or who parents are and their legacy. He wants to build his legacy by his own hands, which is really admirable. It's like. He's seemingly going against Kalos' values in denying the privilege he's gotten, but he's still actively using said privilege without even knowing it. Does that make sense? I hope it does. It's a very interesting juxtaposition.
Do you have headcanons about Kalos in your AU, that affect Jude, Dante, and the rivals? Familar and new ones alike!
Yeah! I have a few hc's that I hopefully remember -
I know that Kalos has a classism problem, if Team Flare is to show off anything. And also this weird beauty problem, whether or not someone is stylish enough is allowed to enter certain stores. That in particular reaaaally bothers Jude n Shauna lol.
I think the rivals sans Dante and Jude ( kinda) aren't suuuuuuper wealthy. Not exactly poor either, but they don't exactly have the same luxury that Dante has. Shauna was always aware of this really - it's why she's so quick to point out the faults of rich folk in my au. Trevor is aware of this too, but was more focused on making his dead beat parents proud.
I think this focus on beauty in Kalos effected them too. I generally go by the principal that the pokemon world is sooooo much better to live in compared to the real world, but that doesn't mean it doesn't have it's issues. I can see Trevor being used for his smarts like Clemont is- something that he doesn't exactly mind, but I can imagine it's kinda taxing. Shauna is also very smart and her parents are often pushing her to "maximize her potential" but. It isn't her passion. She likes puzzles as a hobby, but nothing worth being a career. It doesn't help that it's not just her parents trying to push her in this direction. It's frustrating, being told to uphold a certain standard that you don't want. And Shauna is a bit of a romantic. She likes all the romantic stuff of Kalos, but having to obtain that is frustrating sometimes. Tierno, I feel, is often overlooked in that regard. He doesn't exactly have exceptional abilities like Trevor or Shauna or Dante. He just likes to dance and dreams of making a dance team. Which. Might not even be considered something worth going into by some. Not all, of course, but the few that do kinda always stuck with Tierno. It didn't help that he didn't exactly come from a rich family so. I think these things played a role in Tierno's self worth really. He doesn't feel like he offers much, or has anything to stand out. His dancing is just dancing- it's not as useful as Trevor's smarts, or Shauna's charm or Dante's battle prowess. So what can he really offer?
Jude is kinda funny in all of this bc Jude is an outsider here. She's from Kanto. She's not used to whatever Kalos is about. So there's always a level of slight annoyance with how things operate in Kalos. Though she's also in a position where she does get the perks of "beauty", so it's. Weird. Dante, on the other hand, has always thrived in Kalos' standards, and never had a problem with it because of that. In a way he kinda isolated his friends out because he never really saw the problem. It's only when his ego got hurt was when he started to really see things for how it is- and even then that took a while bc Lysandre got to him first and kinda warped Dante's ego into working for him( though I should stress Dante didn't know Lysandre was part of team flare, let alone leading it. His job was just to collect mega stones and help Lysandre with some data- but Lysandre did present himself as someone who understood Dante at the time, and that's what Dante really wanted )
Aaaaand yeah. I think that's all I want to say. It was fun to compare how the culture around kalos effects the kiddos!
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I was going to wait until I had finished doing all the concept sketches for this but uh, I’m lazy so here take it as it is I’ll keep adding surely surely.
-LONG POST-
AU where the hermits fall into the boatem hole with no way to fly out because of some event that happens - maybe an apocalypse, maybe everyone just goes apeshit, who knows - and they all get messed up heads from falling in the void and passing out n fun stuff like that. They ‘land’ - idk how this would work without them dying lol - in a semi futuristic city which for now let’s just call it Boateqm (silent q). The hermit crabs would also fall at different rates therefore appear in the city at different times. So where do they end up?
Hospital gang:
Etho wakes up in a hospital bed with no memories - most of them will wake up with no memories btw - his doctor/nurse (this hospital may be understaffed) Tango asks him a bunch of questions then has to go see another patient. Etho is seen by a certain Bdubs who had just finished visiting his buddy Scar -will get to him next- in the bed next door. Bdubs walks back to notify Scar, a fashion designer, that the guy in the bed across would make a great model, just look at the striking hair! And the red eye! He opens the curtains on the side and Scar gets a look. He asks if Etho would like to be hired. Etho is to say the least very confused and on the verge of a panic attack that never quite seems to happen so he’s in a weird kind of limbo anyway it is now that his doctor/nurse Tango comes back and having overheard the conversation suggests it would be a good idea. The hospital can only take custody of Etho for so long, might as well start earning money now so he doesn’t become homeless. Etho is still very confused. So Tango just agrees to the job for him as his caretaker lol, and besides Scar comes here kinda often so Tango trusts him. Anyway Etho’s true passions he discovers are synthesisers, breeding horses with Bdubs and finding elaborate ways to do tax evasion. A simple man.
Scar is in the hospital because he got SCAR (hehe) from walking into a glass door in his super fancy house, which he owns because he’s a super fucking rich fashion designer of his own label Scara (this is not the first time he’s walked into a glass door). Scar refuses to go to a rich people hospital tho cause 1) he cares about healthcare and wants more funds to go to lower grade hospitals 2) Tango is his mate, and needs a goddam raise. But yeah, very successful, ran for mayor once but someone really didn’t like that which resulted in another hospital visit. Mans in the wars. One hospital visit he got really inspired by the fabric and stuff there so he had a line of clothes that were hospital inspired one time, in turn making hospital inspired garb very trendy for a bit. What a mad lad. Ideas man. Some would call him a genius if he didn’t keep on walking into glass doors n shit. Scar woke up in the back room of a small tailoring shop owned by a nice old couple who took him under their wing. He thanks them in every award speech, and whenever he’s in the area make sure to stop by and give them presents. His side hobby is gardening.
When Tango came to, he was lying on the footpath of a quiet street in the suburbs just out from the main city. Gorgeous day, golden hour, pretty houses, very aesthetic. He also had a leg injury, fuck. So Tango did what anyone would do: hobbled to the nearest house, asked in the nicest way he could under a lot of stress (so he kinda yelled) for a first aid kit, and performed surgery on himself atop the nice families dinner table. The nice family turned out to have called the police and an ambulance, who showed up just as Tango was wrapping up his leg with a bandage and took him away to the police on a stretcher. This debacle got him a leading story on the local newspaper: ‘Man performs surgery on himself after waking up with no memories and a leg injury’. After being questioned by the police, they decide they can’t really charge someone with amnesia and no money with anything like breaking and entering (he did knock and they did let him in) or property damage (blood on the carpet). The paramedics are stunned at his surgery, so they tell the police to take him to the nearest hospital and get him hired there, he could save so many lives. He gets hired by the head doctor after an examination of the surgery. The head doctor doesn’t really care that Tango doesn’t have any records or anything, the hospital is understaffed and Tango seems like an Angel sent down from the heavens to him. Tango is very very good at his job. So good that he gets offered a job at a far better paying hospital which he takes, then soon drops because he prefers the chaos of his old job much better.
Tango found Impulse extremely dehydrated, looking like death, wandering outside his flat one night, so he carried the man inside and saved his life. Now they are flat mates, and Impulse works in a tech store - an upgrade from working at a service station previously.
Bdubs woke up in an inner city park at night, homeless, broke, and in the company of other homeless and broke people. He built his way to success, got luckily hired by some rich asshole to mow their lawns plural - the rich asshole didn’t ask much questions, he just saw a poor man criticising the way a park had been landscaped to an old guy in a caravan and though it was good enough, seeing as the last one quit - and Bdubs didn’t mind too much, because the rich assholes property was really gorgeous. Once Bdubs was able to say he had work experience and wasn’t homeless he started babysitting the kids in the neighbourhood, pretty good money. Plus the kids love him, and everyone he meets loves him, he's just a nice guy. He met Scar because he had to purchase a suit for a kids birthday party, so he went to the cute little tailors shop he always walked past on the way to his favourite cute little gardening supplies shop. By now Bdubs had been promoted to part time gardener - the job is shared - and started working on and off at a building firm. They become besties, turns out Scar is also really into gardening etc etc. Eventually Bdubs becomes an architect, mainly designing for city contractors n such but occasionally designer homes, like the one he did for Scar.
Mumbo and Grian wake up in the hospital around the same time that Etho is still there, however Etho has been awake longer, and should really find a place to stay soon now that he’s got a steady job. Since - ok plot point here - the two are in the exact situation that Etho found himself in, he starts to feel like something weird is going on. Mumbo and Grian take a lot longer to recover than Etho did, and the two become hospital bed neighbor buddies. When they finally recover Scar offers them a temporary place to stay at his house while they find work. Tango gets Impulse to put in a good word for Mumbo at his work.
Nomads:
TFC is an old man who lives in a caravan off the money he made being a very successful miner, he now collects pretty shiny rocks and gems and stuff to give to kids. He’s like an all year round caravan Santa and wise old mystical figure. Dope.
Joe is a humble man who likes to wander. He’s never had a home, but if he needs anything he’ll go to TFC’s caravan or a homeless shelter or something. But he isn’t sad or anything, he really likes the freedom of being a simple wanderer.
Others:
Keralis is a business partner of Bdubs. Kerlalis is mega stonks. He was one of the first to land, had a big diamond in his pocket, bought shares in a company that blew up soon after and now he is really fucking rich.
Doc and Ren are the only ones who remember anything, and they arrive at the same time. Doc manages to keep his cool, but Ren loses his shit and gets thrown in a mental institution. Doc spends some time trying to get Ren out, and after a final success and laying low for a bit the two seek to bring all the hermits together.
Pearl ends up working in Bdubs building company.
Beef works in a music shop -sells records and instruments- and he starts up a record label out back after his boss retires and passes the shop onto him.
And yeah I don’t really know the other Hermits that well was hoping some of ya’ll could help me find places for them in this city :) don’t really know how to format this either so maybe some input would be nice, just wanted to get the idea out hehehe
#hermitcraft#hermitcraft au#ethoslab#goodtimeswithscar#tangotek#impulsesv#bdouble0#mumbo jumbo#grian#tinfoilchef#joe hills#keralis#docm77#rendog#pearlescentmoon#vintagebeef#hermitcraft fanart#hermitcraft fanfic#etho fanart#tangotek fanart
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Hello and welcome to a mulit-chapter story! basic info: Tubbo-centric, talk of contracted murder that never goes to fruition, kinda deus ex machina-y
If anyone wants to be part of a taglist for Assassinate But Nah, feel free to message me/send an ask/or mention it in reblogs.
Taglist: @sleepysnails
Ao3 link
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“Tubbo! My boy! You’re my favorite agent.”
Toby Maron pulls out a chair at a private poker table at Quacksino. “I really shouldn’t be honestly,” he says to the leader of the Jays, one of the Mafia groups in Houver.
“Of course you’re my favourite!” Schlatt says. He gestures to Quackity, who’s acting as dealer tonight, to deal this looks-younger-than-sixteen year old into the next round. “You’re a cop’s son? Those guys never get caught.”
Quackity slides Tubbo a packet of M&Ms before dealing in Tubbo, Schlatt, and his two main lackeys Slimecicle, and Ted.
Tubbo grimaces. “Right.” He opens the packet of M&Ms and separates them into the six colours, acting as the six chip types. “Why am I here?”
Slimecicle looks at his cards and slides Tubbo a folder. “Right here.”
“Thanks.” Tubbo looks at his own cards. “Ten.” He puts his cards down on the table and flicks a candy to the pot. He opens the file, he sighs heavily. “Another assassin job?”
“Oh yeah.” Schlatt grins like the two of them are in on a little secret. “That’s why I like you.” He throws in a chip. “Call.”
Tubbo skims the reference sheet in front of him. “Thomas Rough?”
“Call,” Slimecicle says.
Schlatt’s grin stays on his face. He takes a swig of beer. “What do you know about him?”
“Thomas Rough? He’s the son of Dan Rough.” Tubbo continues to skim the papers in front of him; blond hair, blue eyes, 6’3”. “Dr. Rough was a kid from the Teenage Mall District, bad place for a kid to grow up.” Tubbo thinks back to his memory of headlines and research projects. Dan made some big advancement in microbiology, I don’t know what though. He now has his own lab and a nice house in the suburbs. The Houver Mailer called him a ‘Diamond in the Rough’ in their series on him.”
“Good.”
“Call,” Ted says.
Quackity puts down the flop.
“Two hundred.” Tubbo throws in the equivalent amount of candy.
“Playing it safe are you?”
“Mhm. Shoulda said that with my ten.”
“Call.”
Tubbo continues to rattle off information. “Thomas Rough spends the first semester abroad at Oak Park Academy, a Swiss boarding school.” He glances up from the papers to Schlatt. “Nice. He comes home for Christmas break, then spends the second semester in a local public school: Granite Bay.”
“Something about balancing rich kid privileged education and being a normal kid.”
“Call.”
“I can understand that.” Tubbo eats a couple M&Ms.
“Hey! Don’t eat your chips,” Ted jokes. “Call.”
“Chips? These are chocolate.” Tubbo seems to remember that he’s talking to the top guys in the Jays and shuts up.
Quackity burns the top card and places the Turn.
Tubbo’s eyes flick up. “Add another hundred.” He flips the page. “Who’s this?”
Schlatt puts his elbows on the table and leans in. “Ranboo Alastair. Nothing special about him, but he’s Rough’s best friend during the half year he’s in the city.”
“Does he need to go as well?”
“No. You just need to befriend him while Rough it’s around.” Schlatt looks towards his men. “Call.”
“But will you dispose of him once I kill--”
“Assassinate.”
“Kill Thomas Rough? He’ll be able to point me out in a line up.”
“Ideally, he won’t know that you disposed of his best friend”
“Fold.” Slimecicle slides his cards to the burn pile.
Schlatt continues. “You know Eret?”
“Yeah. Informant on the drag scene.”
“Ranboo’s her little brother. Your mark is Thomas Rough, but befriending Ranboo will be a warning to Eret as well.”
“Killing two birds with one stone.”
“More like killing one, injuring another.”
“Fun.”
“Isn’t it! And you’re a police kid, nothing will happen to you.”
“But won’t Dr. Rough want answers to what happened to his son?”
“We’ll deal with that. You deal with Thomas Rough.”
“Call.”
The next card gets burned and the River gets flipped.
“Five hundred.” Tubbo puts the fold to the side and tried to read Schlatt, not that he wasn’t already doing that. “So I’m supposed to befriend Ranboo, hope that Thomas Rough keeps he around as a friend, then kill him?”
“Yes. Call.”
“Fold.”
Schlatt turns to Quackity. “Burn these. Flip a new five cards please.” He then gestures to Tubbo’s pile of M&Ms.
“One thousand.”
Schlatt looks at his cards once more. “Call.” He sits back in his seat. “We’ll be putting you in Public School, Granite Bay, as you mentioned. You’re junior year I think.”
“It would be,” Tubbo says wistfully.
“If you take it--”
Tubbo cuts him off, “If? I have a choice?”
“If you take it,” he looks Tubbo in the eye. “This’ll be your last job. I’ll be asking your father to overlook first degree homicide. Even his debts have limits.”
Tubbo thumbs at his cards.
Schlatt flips his. He gives Tubbo his first proper smile of the night. “Flush.”
“Blue-Eyes White Dragon,” Tubbo says. He takes great pleasure in how Schlatt is visibly thrown. “I’ll take the job, but my cover isn’t in this folder.”
Ted hands Tubbo another thin packet of paper.
“Tubbo Jacobs?”
“That’s your name for the next year. You’ll be living with Karl Jacob’s, chief editor of the Houver Mailer.”
“He works for you?”
“Yes. He’s getting redeployed on another mission next year, so once you get the job done, Tubbo Jacobs will disappear with him.” Schlatt grabs a few M&Ms from his winning pot. “And Toby Maron will be allowed to go back into public school.”
“But not Granite Bay.”
Schlatt nods and drops the candy in his mouth. “But not Granite Bay.”
Quackity taps Schlatt’s forearm.
“What is it Flatty Patty?”
“The kid wins,” he murmurs. “Hands off the pot.”
“What was that?”
“The kid wins.”
Schlatt scoffs. “The nerve of some people. Fine. Take your candy and chips. Get out of here kid.”
Tubbo puts all his papers back in the manila folder and slips it into his bag. “Yes Schlatt.”
“You have until the end of next summer to get it done.”
“Yes Schlatt.”
“Good boy. Remember. Do the job, and it’ll be your last one. Chicken out, and you’ve still got a few years ahead of you.”
“Yes Schlatt.” Tubbo picks up his chips but leaves the candy on the table. He pushes the chair back in behind him and goes to the counter to cash out his two thousand, three hundred, and thirty bucks.
“Bye Sapnap.” Tubbo may be an unwilling assassin due to debt, and he may hate it, but he’s still polite. Tubbo walks into his house, eyes downcast. His dad, Captain Maron, is reading in the newspaper. “I’m back.”
He tosses down the paper and comes to hug his son. “How was your meeting at the Quacksino?”
“Good. Schlatt’s sending me to public school.”
“What?” Captain Maron holds his son by the shoulders. “Public school?”
“Yeah. Catch s I have another assassin job.”
Captain Maron’s face falls. “At public school?”
“Thomas Rough, he goes to Griante Bay second semester.”
“Oh.” Jordan’s expression flickers.
Tubbo doesn't have the energy to even try to decipher it.” On the bright side,” he tries, “Schlatt says that this is the last job I need to do for him. Something about debt limits and that you can’t prosecute me.”
His dad gives him a tense smile. “Did he really say that? Or are you paraphrasing for your old man?”
“That’s what he said, he was very clear about it.” Tubbo pulls away and heads to the kitchen. “But you can’t prosecute me. I don’t know what I’m going to do after though. I feel like Schlatt has been setting me up to go crawling back to him for a sense of purpose.”
Jordan looks at his son sadly. As one of the top cops, he’s seen a lot, and he’s seen that very story play out so many times before. “I’m sorry.”
“No. No. Don’t apologize. It’s grandpa’s fault for getting tied with one of the Mafia families. It’s not your fault. He’s the one who died with debt to the Jays.”
Jordan comes to hug his son again. “Get some rest. You’ll have time to brush up before the school year starts.”
“Yeah.” Tubbo grabs himself a bowl of cereal, directly opposing what his dad just suggested. “I’m a new transfer. Tubbo Jacobs. Starting tomorrow I’m going to be living with Karl Jacobs, but only until the job is over,” he reassures his father. “And Lani will still be at home. Think of it as an exchange; like I’m going to school in europe or something.”
“I just. I don’t like the idea of you living with Karl Jacobs,” Jordan admits.
“It could be worse. At least he’s got a proper office job. It’s a good cover.” Tubbo shovels a spoonful of cereal in his mouth. “Relax dad. I’ll be fine. I’ve been fine. I will keep being fine.” His gaze softens. “Besides dad, this case file tells me to befriend some kid. So I’ll get that experience.”
Jordan smiles at his boy and ruffles his hair. “Goodnight son.”
“Night dad.”
- - -
Jordan walks up the stairs and goes to the safe in his closet. He spins the lock and opens the door. He digs up an old photo album and pulls it to his lap. He flips through old polaroids of him and his two childhood friends.
He pulls the last photo out of its clear sleeve. Then flips it to the back and reads the mailing address scrawled on it.
He mutters it under his breath and puts everything back in its place.
Jordan goes to find a pen, a piece of paper, and an envelope. He writes out the address and starts to pen two letters.
Dear Philip Wright, I’ve been in some trouble with the Jays for the past six years. Sorry for not mentioning it earlier. You know me, I’m stubborn. I’m a cop. I thought I had it under control. I don’t. Most of the debt has been worked off, but if you could advise me on how to proceed. That would be great,” Yours, Jordan Maron
Dear Daniel Rough, Just got a tip that Tom is in danger. Yours, Jordan Maron p.s. sorry for never returning your requests to catch up
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The Dark Suburb
((Posting again because the original post on June 11th, 2017 6:09pm is no longer available due to me deleting and re-making this blog.))
This is a compilation post of Nosebleed Club prompts from 2015-16 revolving around the concept of “the dark suburb.”
Family Melodrama
something is wearing your mother
oh god his intestines strung up on the christmas tree
your dog’s body all over the house
banging on cellar doors
a creaking sound in your dead sister’s bedroom
warriors with spears and shields painted on the dining room ceiling of a violent family’s mansion
a woman in an expensive coat and an expensive car headed to her nephew’s funeral
coming home to a completely alien mother
getting a doberman on christmas morning that won’t let you leave the house
the reason your parents fled the city to live in the suburbs
summers in palermo where your father was looking for something
mother’s breakdown in the supermarket
the supernatural car you and your twin got for your 16th birthday
parents strangely and deeply interested in the boyfriend you brought home
a mom urging her son to quit basketball; she senses something is not right
all the holes - dozens of them - your mother dug in your backyard
grandparents hiding the reason your parents are away during your winter holiday break
your best friend doesn’t want to go to your house anymore
grandpa’s ghost followed us into the new house
dad hates her bc she killed her twin in the womb and then her mother
Do I Love You?
your boyfriend’s basketball shorts, his boy-aroma, his ghost between your legs when you watch the video of his last game
girls kissing in a gas station convenience store and a third recording them on snapchat
the boy you like drawing flowers on your ap biology practice test when you switch tests with him to grade
walking across a supermarket parking lot by yourself thinking of a boy you love
red mouth
girlfriend scrubbing the blood off her arms in the bathtub
in a tiny white house in florida, sitting on a beer-can-covered counter, legs spread apart, a boy between them
in a drug-induced haze i left home for his semi truck
he never fucked me without his ski mask on
a girl and a girl and claw marks on the door“don’t ever take me back”
The Occult
the incantation that annihilated a whole suburb
a body that drags other bodies into an oven
the witches gathering in the red lake
inhuman sacrifice
dogs gathered at the edge of town refusing to cross the boundary to the outside
a 10 year old girl with memories of a serial killing spree that occurred when her parents were children
white shirts hanging on branches all over the woods
the town of three-eyed children
arrows raining down on a soccer field
feeding time
mysterious scratch marks on your back
a fairy ring in the field where your sister disappeared
Crimes
just throw it in the back
snap!
we found the body but not the head
clearing in the forest where police found a blessed severed head
jar of baby teeth as evidence
children dressed as angels at the crime scene
seeing a face you thought you buried ten years ago at the supermarket
half a fraternity frozen under a lake
fbi agents rolling into a tiny town in appalachia
a severed arm among the hydrangeas
young men howling on the bridge one year after the murder
police cars prowling through your neighborhood, one after another - watching this from your bedroom window
Teen Dream
getting whipped by a towel in the locker room
best friend making the varsity tennis team
taking a shot of vodka in the bathroom after second period
boy gets a boner during gym class
“i’ll be like helicase i’ll unzip them genes (jeans)”
drunkenly reciting the quadratic equation
fear-mongering homecoming queen
track star died in a car accident
dead bodies photography club
“sorry i fucked up here’s some ice cream” “i’m lactose intolerant you douche”
article about demonic possession in the school newspaper
last pool party before summer ends & her hand on your thigh in your dad’s sports car
the first day back from summer vacation & someone in your friend group brings the whole #squad starbucks
a bonfire, lana del rey & drake blasting, the moon
weekend road trips to the ocean
walking around on the track alone, contemplating some philosophical concept you read about on tumblr the night before
coming out to someone completely random - a junior varsity basketball player
the last homecoming dance
lying on the track at your high school after sunset
getting picked up really early in the morning to go on a spontaneous weekend road trip
the sunday after the homecoming dance where you’re kinda tired kinda still energetic from the night before
inside a fast food restaurant drinking milkshakes eating fries until it closes
chill basement party where there’s white balloons gold confetti / glitter two girls who love each other kissing
sitting in the backseat your parents occupying the front of the car you look out the window you see the rural countryside crawl by
pool pizza party at night simple pleasures like that
on the bleachers during a powderpuff football game
sweating so much you might as well have been swimming it would be embarrassing but all the other boys are sweaty too
lost in the suburbs at like 5am and the world is still pale blue
lost in the city at 5pm the sun sinks its head behind skyscrapers
fights on the lawn of an all boys private school
applying makeup the morning after a breakup
huge friend group made up of oracles + boys’ swim team + legendary heroes + valedictorian
aesthetic blogging on a sunday afternoon just chillin in your bedroom
feeling like you could be something big if you work hard enough at it
getting psychoanalyzed by your teachers and parents and extended family
school bathroom pale blue tiles
a dream with damien hirst-esque elements
sleepover at your friend’s villa and you’re the only one awake
looking out at a black sea from your dead cousin’s bedroom window, seeing a light in the distance
funeral mass
chill that runs down your friends’ spines when you enter the classroom the morning after they tried to kill you
the sickness that spreads through the high school
sometimes i was a body in a dump sometimes i was a saint
he said he’d snapchat my burning body to all his friends
my body was evidence she was trying to get rid of
poison disguised as an eighteen year old
a world war between us
$$$
first: “super rich kids” by frank ocean
fast cars flecked with blood
girls who know you won’t be prosecuted if you’re young and rich and pretty enough
snapchat of a boy with red eyes and a glass of dom perignon with the text IS MY LIFE FUCKING REAL
snapchat of a girl’s dad’s black amex with the words MONEY CAN’T BUY HAPPINESS BUT IT GETS CLOSE
taking your middle-class friends out to nice restaurants but knowing they’re with you mainly for the money
“dude i know you’re only a year older than me but sometimes i think of you as my sugar daddy”
traveling to punta del este to find yourself but losing yourself instead
identifying heavily with the versace logo
an imperial bedroom and all one feels is the weight of all that empty space
“even my funeral has to be luxurious”
Hometown Visions
three dead owls on the side of the road
trees bare, houses barren
lanterns lit up on the dirt road at night
moths in a forgotten shed
a dusty old attic filled with dead rats and flies
seeing half your face in a splintered mirror. washing machine making dangerous sounds
midwest: watching a tornado funnel form from a window that won’t shut all the way
grass in the yard growing tall
girls carrying stray cats home
a cellar door swinging open and a man you never wanted to see ever again stepping through it, into the light
snake skins and insect carapaces organized on a torn mattress
a lovely place god abandoned
bat-filled house at the end of the street
a girl crawling out of a burning car
birds in jars
Hide & Seek
not being able to find anyone in a dark forest because they actually left you and it was just a cruel prank
person seeking you is something much worse than what you thought they were
being trapped in your hiding space & no one can find you no matter how loud you call for help
hiding in your friend’s house and finding evidence of a vile crime their parents committed
finding half of your friend
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hello, it’s nora again…. hitting u with another child (i cnt resist). this is rory, a he/they local indie softboi who is the definition of tender. has a burner phone and doesn’t use social media. does techno dj sets. plays the synth loudly through the night if u live in port apartments his room always sounds like a space ship just landed. deals weed around the seafront on his rollerskates (high five gays and gals). hates that he can’t get new light up wheels on ebay because ana coto made rollerskating cool again. as is tradition, here’s the pinterest board. this intro is recycled?? so if there’s mistakes, idc sue me??? and be sure to like and subscribe for more unboxing content x
CLICK ANYWHERE ON THIS SETENCE FOR SEXI GOOGLE DOC VERSION!!!
application.
* TIMOTHEE CHALAMET, DEMI-BOY / GENDERFLUID + HE / THEY | you know RORY BERGSTRÖM, right? they’re TWENTY-THREE, and they’ve lived in irving for, like, TWO YEARS? well, their spotify wrapped says they listened to STAR WARS THEME / CANTINA BAND (12″ DISCO MIX) BY MECO like, a million times this year, which makes sense ‘cause they’ve got that whole BED HAIR FROM A PERMANENT STATE OF SLUMBER, CALLOUSED FINGERTIPS FROM STRUMMING BASS INTO THE EARLY HOURS AND DJING INTO THE BLACKLIT NIGHT, SELF-HELP BOOKS THUMBED ONCE AND THROWN BENEATH YOUR BED, thing going on. i just checked and their birthday is MARCH 5TH, so they’re a PISCES, which is unsurprising, all things considered. ( nora, 25, gmt, she/her )
aesthetics.
bed hair from a permanent state of slumber, calloused fingertips from strumming bass into the early hours and djing into the blacklit night, self-help books thumbed once and thrown beneath your bed, battered copies of choose your own adventure books, spliffs passed half-arsed across rooftops while light pollution obscures low-hanging stars, marxist literature in stacks against your bedroom walls, a burner phone twice-shattered and a stash of replacement sim cards.
tw ocd, anxiety, drugs
half-swedish, half-british. the swedish is on his mother’s side. he’s bilingual but thinks in english. only really speaks swedish around his mother. only child, and kinda put a lot of pressure on himself to be the perfect kid when he was young, but his parents are honestly, quite decent? and just want him to have a nice life, they don’t care if he isn’t successful or rich or anything, they’re honestly rather solid. (wow imagine having nice parents, a first for all my characters, im literally this meme)
grew up in peckham, a suburb of london. growing up, his mum was a model / actress / waitress who later retrained as a speech therapist and his dad worked in her majesty’s service at buckingham palace. his dad wasn’t allowed to tell his family what his job entailed but rory suspects it’s probably very boring and just involves a lot of…. logistics n security.
was bullied a lot at school. [cole sprouse voice] he didn’t fit in and he didn’t want to fit in. unironically wore a trenchcoat covered in badge pins to school every day of his life. spent most of his lunchtimes in the library because it was his safe space. as a result he knows…. loads of useless information because 30% of his school years were spent reading anthologies on space and the vikings etc. would be good on a game show. obsessively recorded every episode of university challenge as a child.
rory is obsessed with greek mythology (queer allies, i hear u and appreciate you)
middle-class and lowkey quite wealthy but rarely talks about money, one of those well-off people who still wears really old shitty shoes and only spends money if they absolutely have to
into star wars, not into the big bang theory. feminist. can’t watch horror movies
favourite film is where the wild things are. also loves the florida project. thinks kids are the sweetest thing and can’t wait to be a dad to some. right now is dad to one cat, whose name changes on a daily basis (identity is constantly shifting, duuuuude), but they were originally named ‘wheezer’. currently the cat is called thomas o’malley after the alley cat in the aristocats / rory’s first crush
rory's been musical for as long as they can remember. first picked up guitar because he thought it would make this girl esther who he was in love with like him, but he just ended up falling in love with music instead.
formulated several different bands as a kid but ultimately had to give it up cos he was quite controlling and got fixated on making a certain sound so it wasn’t really fun for the others. got into electronic music because it was something he could do basically on his own and keep tweaking until he got it perfect
always drumming their fingers or strumming invisible guitar strings. tends to avoid parties bc he has quite has specific tastes when it comes to music and doesn’t like listening to r&b for eight hours while people throw up into plastic cups.
a techno connoisseur. has been making electronic music since he was about twelve.
after his parents divorce, when he was fourteen, rory & his mother moved to run-down suburban neighbourhood, pittsfield, massachussets.
big into photography. he mostly uses a canon 35mm camera, but occasionally uses disposable ones when he wants that more rustic feel.
moving to the states, their photography became more focused on suburban neighborhoods and are often quite dark and cinematic (think gregory crewsden). here are some shots of pittsfield i really like which rory has on his wall [1] [2] [3]
falls in love 12 times a day. never had a girlfriend or boyfriend. gets sweaty when someone cute looks at him. flirting?? what?? would prefer to idealise them from a distance
gender??? hm. rory doesn’t really know where they fit just yet, sometimes rory feels like a guy and sometimes they dont feel like anything at all. identifies as genderfluid / non-binary but pronouns within that shift a lot. isn’t really bothered, cos they think it’s a social construct anyway. uses he/they pronouns interchangeably, but feels like ‘he’ is more fitting. won’t necessarily pull anyone up on it cos he knows having an identity that’s constantly…. in flux.. can be annoying for others … and doesn’t want to be a burden even tho it isn’t at all?? rory internalises guilt
everything is socially constructed. mirrors let you move through time. the whole thing’s a metaphor. he thinks he’s got free will but really he’s trapped in a maze. in a system. all he can do is consume. people think it’s a happy game. it’s not a happy game — it’s a fucking nightmare world, and the worst thing is, it’s real and we live in it
has ocd. tries to let it affect his life as little as possible, but obviously it’s incredibly hard to control a compulsive disorder. was teased for it at school when other kids started to notice. he was obsessed with the number five, would wash his hands five times, count stairs i groups of five, he could only use the corridors in one direction and always had to keep his hands busy. it manifests itself in hyper-fixations (trains when he was a child – specifically steam engines – then later he became obsessed with space and the patterns of constellations, and now he’s obsessed with synthesizers) and repetitive behaviours like counting stairs. doesn’t really affect his social life at all, he can jst get a bit locked-on n hyper-focused sometimes.
has insomnia. barely ever sleeps. finds it hard to switch off from work / writing / gaming / whatever’s preoccupying him in that moment. he’s always awake at 5am and quite often sleeps in late so you’ll see him on the way to get groceries at 12pm still in pyjamas
secretly a small-scale drug dealer, only does weed n some party pills. rollerskates around irving dealing cos they dnt have a car
likes: techno, the webpage cats on synthesizers in space, allen ginsberg, vintage gramophones, floating points, lcd soundsystem, marijuana, soft dogs that let you pet them, late-night strolls talking about the universe, independent films, cigarettes, herbal tea, gallows humour, long showers, brown eyes, tchaikovsky, dr. seuss, constellations, photography, late night jazz, vintage game boys and girls who could rip his still-beating heart out of his chest and use it as an ashtray. dislikes: weddings, funerals, formality, button-up shirts that people actually button-up, bananas, hot coffee, social media, people who watch and play sports, rap music – especially of the misogynistic variety, indie wankers in wire-framed glasses that play ed sheeran songs at open mic nights.
plot ! with ! me ! i’d say all the usual “exes fwb hookups spiel” but rory… is very tender and tame… i feel like a deer in the headlights of love……. so give me
skate gang skate gang m*therf*ckin skate gang - rory is tryna get better at skateboarding but basically moved to irving for the beach skating scene
rory’s only been here 2 years they moved after they dropped out of art school but i think they’d have some friends, maybe the friend who originally persuaded them to come to irving cos rory’d just dropped out and was feeling shitty n they were like hey dude come chill on the beach with me
people who are also into techno and are music snobs about it,
people who love all kinds of music,
people who are in bands that maybe rory’s recorded and produced stuff for,
people he actually jams with (he plays bass and synth)
ok so rory used to have this band called dogs die in hot cars, he was the bassist, there was also a lead vocals /guitarist and a drummer. this is super lame but i made a playlist of the kinda songs they’d make a few years back, u can listen to it here, if ur character is musical and they’d vibe with that and u think they’d be a good fit hmu x
honestly i want some nerdy as fuck DND campaign group. maybe he even used to LARP and now tries to hide that part of himself to be ‘cool rory’
an anime comic book group or some shit
people rory knows from open mic nights and gigs n they literally don’t even know each other they just nod and say hey buddy how’s it hanging and that’s the extent of their relationship
library girlfriends / boyfriends that he stares at longingly while paging through leatherbound volumes
gamers !!! social recluses !!! hermits !!
people he deals weed to on his rollerskates (why r all my characters obsessed with rollerskates)
hm i used to say NO HOOK UPS but now that rory has !Evolved! ig we can do hook up plots if u want but he’s not tht good at divorcing sex from emotion?? like he hooked up w teddy once (rip) n felt hopelessly in love so..... if u want soft plots b prepared for crippling sadness.......
discord me for plots u know the drill. rip diana babycakes you would’ve loved the disco remix of star wars theme cantina band x
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drivers license.
🍁📸 fushimi omi
summary: omi receives his license and goes to the cemetery to celebrate
warnings: angst, anxiety, arguments, car crashes, driving, family trauma/issues, grieving/mourning, major character death/parental death
author’s note: if you are going through the loss of a loved one, please remember you will always have people in this world who support and love you endlessly ♡ you are not alone and you will make it through. i believe in you with all my heart—i cannot tell you it’s okay, but i can tell you it’ll get better. please keep trying, it’ll be worth it. i hope you wake up tomorrow with a lighter heart, i love you
this is not romantic! this is a headcanon i have of omi’s family history as he only lives with his father and two brothers (TwT。) thank you!!!
word count: 2,619
music: drivers license – olivia rodrigo
I GOT MY DRIVER’S LICENSE LAST WEEK
JUST LIKE WE ALWAYS TALKED ABOUT
‘CAUSE YOU WERE SO EXCITED FOR ME
TO FINALLY DRIVE UP TO YOUR HOUSE
Omi was the first person to pass his driver’s license test in his family.
His father wasn’t getting any younger, so his hands were hesitant and shaky every time they hovered over the stick shift. The buttons out of the corners of his eyes were much too confusing for his old brain so Omi’s father insisted on walking everywhere. As he grew older, the Fushimi household reached a compromise of taking public transport during the weekdays.
Omi’s two younger brothers weren’t old enough. They were still in their early preteen years, so getting behind the wheel wasn’t a legal option. As the oldest son, Omi took it upon himself to get into a four-wheeler and figure out all the tricky mechanics for himself. Hours and hours passed borrowing his friend’s vehicle, spinning around in circles in abandoned parking lots, and studying road laws.
When Omi learned all by himself and paid for it with his own money, his father clapped his shoulder with his usual proud smile and congratulated him.
The leather beneath his father’s wrinkled hands suddenly felt like skin, as if he could see right through him. When Omi took a moment to take a deep breath in, he closed his eyes and could almost see a younger version of his father. A father that wouldn’t be so close to retirement, that wasn’t so fragile and slow.
What did his father see? Could he see Omi was still the little boy sitting in the backseat all those years ago?
“That’s my boy! You’re just like your—” Omi didn’t want to hear the rest of the sentence, so he hurried upstairs and left his father alone in the corridor. Sometimes, he regrets it. But, most times, Omi’s glad he didn’t stay.
Whenever Omi got into a car after that, he sometimes still heard it in his head.
Omi knew he was like his mother.
BUT TODAY I DROVE THROUGH THE SUBURBS
CRYING ‘CAUSE YOU WEREN’T AROUND
YEAH, TODAY I DROVE THROUGH THE SUBURBS
‘CAUSE HOW COULD I EVER LOVE SOMEONE ELSE?
The first thing Omi did after receiving his license was visit his mother.
The car wasn’t preferable by any means, but it did its job. The seat creaked every time Omi had to adjust it, the air freshner didn’t make anything better, and there was no possibility that the air conditioning worked. But, the windows rolled down all the way, the wheels rarely ran out of air, and the car door only jammed sometimes. At the red light, Omi shifted and heard the crease of his jacket.
Omi didn’t know why he still wore it. Those days were long past him now, but the aged material made this whole experience a little easier. Before Omi could let himself reminicse, the light turned green and Omi automatically pushed forward.
Check the rear-view mirror. Two hands on the wheels at all time. Eyes on the road. Pay attention to stop signs. Be aware of everything around you. Omi repeated this again and again until the GPS on his phone announced he reached his location. Parking carefully, Omi let out a breath he didn’t know he was holding until everything stopped moving.
Picking up the small bouquet of flowers on the passenger’s seat, Omi locked his car and nodded at the security guard at the gates.
“Hi, Ma.” Omi said, pausing at a worn-down grave with the same flowers as last time.
“I got my driver’s license last week.”
AND I KNOW WE WEREN’T PERFECT
BUT I’VE NEVER FELT THIS WAY FOR ANYONE
AND I JUST CAN’T IMAGINE
HOW COULD YOU BE SO OKAY NOW THAT I’M GONE?
Omi sat besides her, leaning his head upon the cold grey stone. Like her tombstone, she was always strong, resilient, and offered a shoulder to cry on. Omi shuddered and wrapped an arm around the grave, as if she was still here.
“I did it.” Omi breathed and closed his eyes shut, hearing the distant rumbling of a thunderstorm. Even though Omi knew he should’ve left to get ahead of the rain, his legs were too weak. He couldn’t move without feeling like he was going to crash and burn.
“Ma... it was so hard.” Omi finally admitted to himself, squeezing the plastic of the bouquet in his hands and distracting himself with the crinkle. “Every time I sat in the driver’s side, I thought of you. I was... I’m so scared.”
Silence, before a clap of thunder. Omi flinched, hiding his face in the grey. “You were such a good driver, you followed every single rule. You should’ve been the one to teach me...”
Omi hated this feeling, like he was selfish for wanting his mother to be here with him. But, he knew he was right. Omi shouldn’t have had to suffer through panic attacks by himself. Make close calls with no one by his side. Balance school, work, family, and driving every single day. Omi could feel the exhaustion in his bones, as if he was the one who was dead.
“Pa couldn’t. Ever since...” Omi didn’t dare relive the tragedy. All he could bear was the inhumane screams, shattering glass, and alarms of the ambulance from miles away before snapping back to reality. “... the accident, he’s been so, so sad.”
It was an under-statement to say the Fushimi boys were struggling. Losing a parent didn’t hurt just emotionally, but financially as well. As Omi’s father picked up more shifts, more and more of that money went to medical bills that should’ve been years down the line.
“Your boys miss you so much. I miss you, so much. You would’ve been so proud... just like Pa. He said—” Omi’s voice cracked and he hated himself for it. Pulling the jacket tighter, Omi winced as the sudden gust of wind chilled his spine. The leaves rustled unceremoniously and Omi wished he could fly away, too.
“I’m just like you, Ma.” Placing the small flowers at the base of her grave, Omi read the faded engraving upon the surface until his vision was clearer.
Omi moved onto the next grave without a goodbye, because he’s had too many of those in this lifetime.
GUESS YOU DIDN’T MEAN WHAT YOU WROTE IN THAT SONG ABOUT ME
‘CAUSE YOU SAID FOREVER, NOW I DRIVE ALONE PAST YOUR STREET
After visiting his mother and Nachi, Omi returned to his car. It looked nothing like the car he almost died in. Back then, that car was big enough to hold a family of five snugly. Now, Omi’s car didn’t need all that room. His father would never get back into a car ever again, and his brothers could just sit in the back.
Resting his hand upon the car door, Omi didn’t have the heart to open it. Going inside meant driving home; driving home meant seeing his father flinch whenever the car pulled into the driveway. Driving home meant preparing dinner, making sure the boys did their homework, giving Pa his proper medications, doing homework, and barely sleeping. Going home meant being mom.
As the rain began to pour, Omi didn’t move. Soaked and unable to distinguish if he was crying or just stupid, Omi hung his head and let the water run over him. Was this his Ma’s way of crying for him? Omi didn’t want to know.
Omi finally yanked open the car door when a pair of glowing headlights passed by him. He nearly missed the splash of a puddle by his feet as Omi started the engine. Something was wrong. The usual ignition wasn’t audible and the lights barely illuminated the darkening path. Omi sat in the driver’s side with frustration that’s been growing ever since the car accident.
“You’ve got to be fucking kidding me!” Omi swore, kicking the floor uselessly as he lifted his fist to hit the surface. Before he could slam his hand down, Omi sighed and simply hit the dashboard lightly at the last second. He had spent far too much money only to pay for repairs later on.
Omi pulled out his phone and checked, only to see no bars and no signal. Omi was cold, shivering, and crying in a cemetery and he had never felt more alone.
AND ALL MY FRIENDS ARE TIRED
OF HEARING HOW MUCH I MISS YOU, BUT
I KINDA FEEL SORRY FOR THEM
‘CAUSE THEY’LL NEVER KNOW YOU THE WAY I DO
Omi bought his first car after saving for months.
He honestly didn’t have to. Leaving behind the delinquent life meant making good friends. Friends that didn’t start fights, disobey the law, or be at risk of being put behind bars. Therefore, Omi had a friend that was willing to just give him a car.
“Come on, this is our gift to you. You don’t have to worry about this!” Omi’s friends insisted, trying to push the keys into Omi’s tight fists. No matter how much pressure was put upon him, Omi never faltered, just like stone.
“I’m sorry, but I... can’t take this.” Omi guiltily rejected the brand-new car. It was a model only rich people drove, the same exact demographic his friend was apart of. It was freshly washed with the proper tags and everything. Omi could’ve just taken it and saved thousands of dollars.
Except, he couldn’t. The car by no means was a vehicle he sat in before. But, the white color was the same. If Omi wasn’t paying attention, maybe he could ignore it. Yet every time he saw the exterior, it brought him back to that rainy day, desparately fumbling to rip off his seatbelt and wake his mother up.
“Omi... you can’t afford to say no...” They sympathetically tried to reason with him, but Omi was far gone. He backed up, nearly tripping with how hurriedly he stepped on his own heels. If he blinked, he could see the new car wrecked. If he didn’t focus, he could hear the sickening sound of the brakes failing.
“Omi, it’s been years since she—”
If he let himself get consumed by the past, he’d surely die.
“Thank you for this, but I can’t. I’m sorry.”
Omi bought a car a week later and when his father asked about price, Omi lied through his teeth.
“My friends saved up and bought me one for my birthday. Don’t worry, Pa. We can make the bills.”
Even when his friends sold it and tried to give him the money, Omi didn’t take it. His mother didn’t raise her son to take money from anyone.
Like mother, like son.
TODAY I DROVE THROUGH THE SUBURBS
AND PICTURED I WAS DRIVING HOME TO YOU
Omi left the windshield wipers on, watching as the rain drops got caught in the way. The heating wasn’t functioning, so Omi huddled in on himself and waited for some sort of sign that he could make it home tonight. The radio crackled every now and then, making Omi jump every time a voice spoke a word before getting cut off.
The world continued on as Omi lived through another rainy dark sky. Omi remembered staring up at this type of sky, his back laid out on a stretcher and hand reaching for the closest family member. Omi mentally punched himself, finding that he was getting caught up in his own trauma much more often than usual. Ever since driving lessons.
When it got too much to handle, the assignments, the expectations, the pressure, Omi indulged in make-believe. Omi imagined an universe where he was driving home to be welcomed by the warm embrace of his mother. Where his father was standing taller, where his brothers left their rooms on their own accord, where he wasn’t the backbone of the household anymore. It didn’t do him any good to hope for something impossible, but Omi did so anyways sometimes.
Perhaps it was his punishment for not being the one who died that night.
As Omi swiped mindlessly through his phone, willing for a bar, a crack of lightning made his skin crawl. Yet, beneath the pounding rain, a single yell of shock alerted Omi to look up from his screen. A deep sense of familarity forced Omi to look past his window, hoping to see past the blurriness of it all.
At the sight of a dark frame, Omi didn’t think twice before hurdling him outside, barely able to close his door before stripping his jacket and throwing it around the man. The shivering man weakly holding onto an umbrella that did nothing but cause more problems.
“Pa?! What are you doing here?”
RED LIGHTS, STOP SIGNS
I STILL SEE YOUR FACE IN WHITE CARS, FRONT YARDS
CAN’T DRIVE PAST THE PLACES WE USED TO GO TO
‘CAUSE I STILL FUCKING YOU LOVE YOU, BABY
“Son!” Omi’s father happily greeted despite being on the verge of catching a cold. Omi held the umbrella over his father’s head, taking the brunt of the cold willingly.
“I took the bus here. I knew you’d be visiting her today, but it was quite late.” He explained, wearing a newsboy cap that he must’ve had since youth. The sight of his father with a runny nose and wet clothes at his expense set something off in Omi.
“Why did you come?”
“To bring you home—”
“What would’ve happened if you died?”
The sound of rain was defeaning. Omi’s father stopped, staring at his son like he was seeing him for the first time. Omi’s arm started shaking, his grip on the umbrella’s handle was slacking. The truth weighed upon his shoulders, like he was about to collapse.
What if the bus had crashed? What if something happened to Pa while walking to the cemetery? What if it was Omi’s fault? Before Omi could apologize, he felt a pair of arms wrap around his shoulders.
Omi dropped the umbrella.
SIDEWALKS WE CROSSED
I STILL HEAR YOUR VOICE IN THE TRAFFIC, WE’RE LAUGHING OVER ALL THE NOISE
GOD, I’M SO BLUE, KNOW WE’RE THROUGH
Omi couldn’t die.
Not when he raised his weak father that wasn’t getting any younger. He had to take care of his two younger brothers. Omi had to finish university, graduate, and be hired at a high-paying job to support his family. Fushimi Omi couldn’t die.
But, here he was, breaking.
“My boy, I’m not going anywhere.” Omi’s father said it so surely, like it was a promise he could control. Omi hesitated before resting his chin on his father’s shoulder, closing his eyes and inhaling the scent of cologne. It was the brand his mother used to love, but he knew his father hated this one. It was so fitting, Omi refrained from crying.
“You’re so strong, I’m so proud of you.” Omi nodded, hugging his father with unsaid words he’d never be able to speak. Omi could never tell him his greatest fear was Pa dying. Could never admit that seeing his father react a second late makes him pace. Could never reveal he only went to university close-by in case an emergency occurred. Everything Omi did was for his father, his Pa, his only parent.
“She’d be so proud of who you are today. You are her son.” Omi’s father patted him once, twice, then pulled back. He rested his aged palm upon Omi’s cheek gently, just like his mother used to. His thumb ran over his scar with no judgment, just fatherly love.
Omi had never felt more loved.
‘CAUSE I STILL FUCKING YOU LOVE YOU, BABY
“You’re just like your mother, Omi.”
#fushimi omi#omi fushimi#a3! act! addict! actors!#a3!#act! addict! actors!#a3! actor training game#a3! one shots#act! addict! actors! one shots#mankai a3!#mankai company#a3! omi#a3 omi
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Album Discussion: The Suburbs
Last week I felt like I didn’t have much time to pump an album review out. Was going to be in the lab all day, had work in the night, wanted to cover something quick. Then I finished really early, and had plenty of time in the afternoon to finish things off. This week I am in the same situation as far as scheduling, but someone’s bloody using equipment I need, so I’ve got a bit of extra time now. Time to talk about a >1hr 16 track record!
Also last week, I covered an album that I felt was more interesting from a meta level than it is musically. This week I’m talking about an album that I know nothing of the meta for.
The Suburbs I was reminded of recently. Mostly because I ran into the person who bought me the CD for the first time in like a year. I understand Arcade Fire have A Reputation as far as bands go, but the thing is: I have no idea what it is. I haven’t followed them at all, I don’t know whether they’re considered good or not, I haven’t even seen any of the music videos. I have never deliberately listened to an Arcade Fire song outside of this album.
But I do like this album. So.
Okay the one thing I do know is what the album is about. It’s about growing up in the suburbs of…I think Texas somewhere. I could look this up, but I refuse. The result of this is that the whole thing is intensely nostalgic, full of reminiscence and wistfulness, childhood innocence and what growing up is like. It’s one of those, you know? That does, however, make it fairly easy to like, because I think a lot of people are nostalgic for their childhoods.
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(yeah so the only music videos for this one are at the very start and very end. this is going to be a bit of a wall of words.)
This is characterised by the opening track, which is also the album’s title track: The Suburbs. It’s opening with a very folksy acoustic guitar and piano, and longing for that childhood is its modus operandi. It is, however, tinged by the anxieties of that era- growing up in the shadow of the cold war is going to leave an impact on anyone, and that cultural climate is also going to be running through the album. I think the most poignant section of the song lyrically is the start of the third verse- wishing to become a parent, so they can live vicariously through their child, show them their childhood world before the reality and the memory are completely lost. Okay that’s kinda heavy moving on- the track is pretty much built around that piano/acoustic bit, sounding relatively upbeat but coloured by these lonesome strings running through the background. It’s very effective of conveying the feeling- which is something that comes up quite a bit over the course of the album. The Suburbs is one of my favourite tracks on this album, and having it come right at the front makes it a very solid stage-setter.
Track two is Ready to Start, a faster, rockier track with this grimy bassline running through the verses contrasting the relatively bright instrumentation of the chorus. Considering the themes of the song, about working for the man, dude, and trying to escape that sort of life, it’s fairly fitting, though it’s a very different sort of nostalgia than the previous track. The instrumentation gives the whole thing this sense urgency, which is enhanced by some of the lyrics- I mean the track is called Ready to Start, isn’t it. I feel like this song would be great to try and hype yourself up for something you don’t really want to do, and I’m not sure how many songs we have specifically for that feeling.
Our next song is called Modern Man, and it feels like tumbling through a confusing life. God, I’m really getting pensive today. I feel like this is a lot because this album resonates a lot more emotionally for me than musically. I’m someone with a very weird sense of nostalgia, seeing as my childhood is pretty effectively defined into three segments, and I tend to fixate on one of them because it’s The Weird One. I’m nostalgic for high school which is when I was nostalgic for living abroad which is when I was nostalgic for when I still lived in Perth, which I do now, but I don’t know anyone from back then, so there’s a whole sense of longing, and it’s something I’ve always had, and that’s funky. And I’m still young, this isn’t going to change, it’s going to get worse, and eghhhh I’m supposed to be talking about music. I don’t really have much to say about Modern Man, I guess. It’s aight, the previous two were better, but here I am 800 words into an album discussion, and I’ve gone through all of 3 songs on a 16 track album, so maybe expect this to be a slog.
Rococo at least makes an impact real quick, with fuckin psychotic strings right at the start that’s kind of a shock to the system, especially compared to the relatively mild instrumentation the rest of the song provides. I think that’s a fairly appropriate tone for a song about looking at #thecoolkids, bemusement tinged with utter stark bewilderment. I think I’m too young to really get this, I guess. The song’s title regards an art movement that sounds extremely pretentious and fake deep, frankly, but considering the point of the song is that you don’t bloody know what Rococo means, that’s probably also fitting. I kinda wish the strings were more present throughout the song than they were, they add this existential dread to the track that I do think the later sections are missing somewhat.
Speaking of strings, Empty Room is up next, and it’s one of my favourite tracks as well. It opens with the strings but they’re fast and energetic and they’re going to blow right past you. I thought this track was in like the second half of the album, but nope, here it is. This is also where the album’s second vocalist takes the lead for a bit (she only does for like 3 scattered tracks) and she’s genuinely great here. The songs chugs like an old train, in a way that reminds me a lot of other songs; in particular, the bit between the chorus and second verse (and chorus/outro) reminds me a lot of Teach me About Dying by Holy Holy- I can’t unhear “teach me about dying, teach me about dying-dying” over that instrumental. Despite its desolate lyricism, this song’s energy is genuinely excellent, and it carries really well through the whole thing. I can’t think of a lot of songs that start on this sort of tempo and have it run the whole way through- not to keep referencing other songs, but it’s very Go with the Flow by Queens of the Stone Age. And that’s like in the top 3 QotSA songs for me, so.
It’s only just struck me how much track 6, City With no Children, reminds me of There There by Radiohead. Its mostly the percussion, I think. That’s fucking high praise, but it’s also about as far as the comparison goes. The song is pretty okay outside of that, this theme of a town left lifeless by the commercialism and capitalism of the ultra-rich and what that does to people. Maybe that’s just my reading of it, I do have a bias for this sort of thing, but I challenge you to find another one. Looking on Genius is cheating. I do like the riff the track is built around, but it gets old eventually, since it doesn’t develop at all as the track progresses- lost potential, I suppose.
The next song is the first part of the album’s first of two two-parters, Half Light I, because apparently this one is trying to be a long-running drama show now. With that said, this ballad is kinda gorgeous, and yet also kinda extremely boring? Which is a frustrating place to be, frankly. I get the feeling this is an opinion that would get me crucified, but aside from those strings what fuck, the song just isn’t doing anything for me. Maybe it’s because it’s kinda almost the halfway point and I’m just getting tired, maybe it’s just a generational and cultural divide between America/Australia and 90s-00s/00s-10s and I don’t Get It. But I’m afraid to say this one doesn’t land.
Half Light II (No Celebration), for the record, is one I enjoy much more. The instrumentation is a lot more fun, the tone is a lot more pained (and y’all know I love me some angst), as the rose-tinted lenses of the previous half are replaced by the jade of someone growing up through the GFC (and just, in general). Despite being a two-part song, the halves are very different, a deliberate dichotomy representing two facets of that same look backwards. I feel like this isn’t like other two-part songs I’ve heard before, in that you can kinda appreciate the halves separately- or, in my case, one and not the other.
Track 9, and welcome more officially to the Second Half, with Suburban War. It’s very much about reminiscing about old friends, and I think I’m going to wax personal for a bit, because I have very little to say about the song musically. I mentioned earlier that I basically don’t know anyone from back when I was a kid, and that’s kind of a product of what my childhood looked like. It’s hard to have a “childhood friend” that you still keep up with when you spend 5 extremely crucial, defining years somewhere away from where all of them are. When you leave at 7 years old and don’t come back until you’re almost a teenager. People change so quickly at that age, and I’m no exception, and so I just didn’t have the ability to relate to those same people that long afterwards, even if I could find them. I don’t resent the experience of growing up in such a fractured manner, but it means I have a fundamentally different experience to that discussed in this album. At the same time, as I listen to the closing moments of this song, with the line repeated, “All my old friends, they don’t know me now”, I can’t help but notice the similarity. The writer’s friends don’t know them because they’ve grown up, changed fundamentally as people, whereas I don’t know my old friends in a much more literal sense.
Our next song is a bit more fun. Month of May is unequivocally a rock song, as opposed to the..indie? folk? of most of its surrounds. Much like Empty Room, it’s driven by its tempo and instrumentation, but it’s a bit less dour than that one, almost a bit oldie in its rock and roll swagger. The song isn’t so utterly different that it wouldn’t fit on the album, the traces of The Suburbs still roll through the whole thing, the same guitar and percussion tones driven up a couple notches on the ol’ Mohs scale. Quite solid, ultimately, in my opinion.
Track 11 is Wasted Hours. I think it’s a kind of appropriate title, not because it’s a waste of time, but because it just kinda feels like a nothing song as part of the album. Like, it is unquestionably Part Of The Album, sonically and thematically, but I deadass would not notice if it was missing from the record. Sorry if this one is your favourite, but this one isn’t for me.
Deep Blue, on the other hand, is the song that got me into the album. There’s really something about this track, this sense of discomfort with the passage of time, that really wormed its way into me. It’s a shockingly cold song for this acoustic instrumentation that’s usually associated with quite the opposite. The piano feels desperate, the guitars grim, and there’s actual synths hiding in here- the song relates to technology, after all. It’s concern for the future of humanity, of the youth, and for, well, the Suburbs, through the lens of watching that match between chess Grandmaster Kasparov and the A.I. Deep Blue in 1996. Go watch the Down the Rabbit Hole on that if you haven’t already (and have a few hours), by the way, it’s utterly excellent.
I can’t really describe how Deep Blue makes me feel. There’s just something about it. I feel like if I hear this song again in 10 years, it would genuinely bring me to tears- it feels like loss in a way, and not the meme.
We Used to Wait has a fun instrumentation, glittery piano and that funky guitar noodling in the background, but unfortunately the chorus kinda lets it down for me. I just do not care for it, it’s really built on a vocal line that really doesn’t track for me personally. Like, I’m just young enough that a lot of the theme of the track is utterly unrelatable to me- I hail from an era that is post- the change the track is referring to. I’m focussing a lot this time around about how the songs make me feel personally, but I think that’s kind of the appropriate tack for this album in particular- like the idea of nostalgic reminiscence is so inexorably tied to your own personal experiences that there’s no way around those experiences clouding your perception of this album, and with that, how well you end up liking it. I bet this whole thing hits way harder for someone born in the same couple years as this band.
We’re up to the second two-parter, Sprawl I (Flatland), kind of the finale for the whole thing. I mean, in I’s case, it’s certainly that emotionally. The song is so utterly down, it’s lost in the urban sprawl the title and lyrics describe, and with that comes a very quiet track. Moody strings and guitar, that eventually build during the fourth verse (there is no chorus and they’re short). It does eventually resolve on a more positive note, at least, one that’s hopefully relatable to many of us- eventually, we find our emotional home is, and it’s often not where we grew up.
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Sprawl II (Mountains Beyond Mountains) is quite the different perspective. It’s got that other lead vocalist (I could look up her name but I won’t), it’s got a pulsing beat, and it has much more energy to work with. There are synths on this track that are absent from almost the entire rest of the album, but their introduction here, right at the end, is extremely cool. They’re cool, they’re clear, and they’re thematically relevant! I just really like the vibe of this track, and the way it trails off is similarly very good. Would recommend.
But of course there is one final track. Kind of. The Suburbs (continued) is basically a dark reprise of the album’s opener, shaded with more regret than that track is, more strings-y and whispered. It’s very short, but it acts as an appropriate closer for the whole thing.
And of course, that’s The Suburbs. In retrospect, I have a bit more mixed thoughts about this than I thought. There’s some really high highs, and some things that are just kind of bleh, but any album of this length is bound to have some misses. While I was browsing Genius to make sure I had the lyrics right for some tracks, I saw this record described as a Masterpiece, but I’m not sure that shoe fits- at least, not for me. The personal nature of this album, and anyone’s theoretical relationship with it, are such that I don’t think it can be given such a broad, universal title. I like the album as a whole quite a bit, but I personally wouldn’t call it a masterpiece.
It also doesn’t inspire me to go after more Arcade Fire. I’m actually perfectly content having them in my mind as this solitary piece, complete in its own way. Oh, they have like four other albums, but to me, Arcade Fire is The Suburbs. I don’t know why I’ve decided this, but it just works for me. So I’m sorry to any massive AF fans, but I did just dedicated 2.7k words to this album, so I’m sure you’re all satisfied.
God, next time I am going to have to cover something shorter, for my own sanity if nothing else.
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Survey #449-450
(both from yesterday)
What do you dislike about the house you live in? It's in the suburbs. Have you thought more about your funeral, or your wedding? My hypothetical wedding. Dinosaurs or unicorns? DINO BOIZ. What do you think of Maroon 5? I like some of their old stuff, and one or two of their newer songs, like "Payphone." What about Coldplay? I enjoy them. Fall Out Boy? Love 'em. Katy Perry? She's okay, I guess. There are a few songs I enjoy. Have you ever snuck into an R-rated movie when you weren’t old enough to see it without parents? No. What is your favorite Disney show? I don't have the slightest clue what's on Disney nowadays. What do you miss most about elementary school? Digging tunnels in the sandbox during recess with my friends. :'( When was the last time you saw the person you had your first kiss with? The start of February 2017. Hard to believe it's been four whole years... Is there anything hanging from the doorknob in your room? Ha, yes. Mom got me a little sign that says, "If I can't wear my flipflops, I'm not going," lmfao. All I wear are flipflops. What's your opinion on wearing pajamas in public? Do you yourself do that? I LITERALLY couldn't care less. I wear pjs in public sometimes; it really depends on where I'm going. What was the most severe punishment your parents gave you when you were growing up? Taking away technology was the worst. Do you usually fill up at the same gas station? Mom goes to a few different ones, depending on proximity and price. Have you ever owned any pet birds? What kinds/colours? I have not. I used to want a cockatiel for a long time, though. Do you pay much attention to your YouTube recommendations? If so, what was the last video that caught your attention? Kinda, I guess. I'm not sure what was the last recommended video I clicked. What has been the happiest time of your life so far? It's complicated. Most of my best memories are from high school with Jason, yet at the same time I was HORRIBLY depressed. I think my most pure happiness when I was really progressing with recovery. Moving on from him, losing tons of weight, feeling motivated... Have you ever had a crush on a celebrity? Who? My two biggest celebrity crushes ever have been/is Link Neal and Mark Fischbach. Do you have any fears you would rarely admit to anyone? Nah. Admitting fears isn't a big deal to me at all. What website do you spend most of your time on? YouTube. What did you have for dinner last night? A chicken sandwich. What could you talk about for hours? Meerkats, Silent Hill, Mark... Do you have a lamp beside your bed? Yes. What's your favorite ice cream topping? Chocolate syrup. What was the last TV show you binge watched? Avatar: The Last Airbender. Would you rather eat burgers or tacos? Oh, burgers for sure. I don't likes tacos. Did your mother change her maiden name when/if she got marred? Yes. Do you use TikTok? Nope. Are you closer to your mother or father? Mom. Do you own any costumes? No. Would you care if your SO went to a strip club? Hm. So long as they're not laying hands on any of the strippers and they ASKED me first, I don't think I'd care? I'm pretty sure I'd also only be okay with that if we were a long-term couple where very strong trust has been built. How helpful are your parents to you? Would they help you to pay for your first apartment? College? Where does the line end? They are so, so very helpful and I'm pretty sure would go to the ends of the earth to help me in any way they could. I know they WOULD help pay for the things you mentioned, but it's not something I want them to do. I want to be able to financially provide for myself, one day... Have you ever had to evacuate due to natural disaster? No. What video games did you have when you were growing up? LOADS. I looooooooved video games. What was the first election you ever voted in? This last one, actually. Can you hear anything right now? Yeah. I'm watching Gab play the Resident Evil 3 remake on hardcore mode. What's the coolest, most unusual pet you can think of? I've always thought sugar gliders were quite interesting as pets. I wanted one for a looong time, but I am not informed on how well they do in captivity and if it should even be legal for me to truly want one anymore. Have you ever seen a UFO or other weird object in the sky? By definition, it was a UFO. Sometimes I do even wonder if it was an alien spacecraft, given JUST how strange that shit was. I won't explain it again, just 'cuz I've done it in many surveys before. Are there any albums you know every single lyric to? I could probably nail Ozzy's Black Rain. What's your go-to painkiller? Advil. Does your mom have a celebrity look-alike? No, but there's a celebrity with her exact name. Do you think it’s pretty when 100s of balloons are let loose into the sky? NO NO NO NO NO that shit is SO upsetting. Where do you think they end up??? It's littering. Animals get choked and tangled by them all the time. What do you draw more than anything else? Definitely meerkats. Have you ever visited someone in a psychiatric home or ward? No, but people have visited me in one. Have you ever received a parking fine? No. Are you in any group chats? Who's in them? No. Do you have a lisp? No. Do you have an Instagram account? Do you use it often? I have three, but one's pretty much dead. I don't post stuff regularly on my other two either, really... Can you parallel park? I would absolutely hit another car. Have you ever played paintball? Did you get hit? No, that shit's dumb. You can get really hurt. What was your favorite fairy tale when you were a kid? Maybe Little Red Riding Hood? Are your parents still together? If not, do you know why? No. Mostly financial disagreements, but I know there's stuff I don't know. Have you ever been evicted? Why? Yes, because we couldn't keep up with rent. Have you ever worked as a manager or supervisor? Noooo. What was the last thing you voted for? So Snake Discovery (a reptile channel I love) hosted an enclosure build-off recently, and the winners were selected by fans via voting. The guy I voted for got 3rd. What's the most amazing animal you've ever seen in captivity? I've been very close to an elephant at a zoo once. They're magnificent. Having been to Sea World as a kid (I would NEVER go now), I also saw the killer whale show. As much of a spectacle as it was, it was animal abuse regardless. Do you like white chocolate? It's okay in small doses. Have you ever eaten snow? Yeah. Do you talk to your pets? Um, duh. Have you ever adopted a stray? (Cat or dog?) Cats, yes. Do you read about any mythology? (Greek, Roman, Norse, Egyptian, etc) No, not by my own will. I DO love mythology, I just... don't read it. Do you ever use bath bombs? No. Have you ever gotten angry at an employee and complained to the manager? No. Have you ever sent your food back at a restaurant? Yes, because they got my meal wrong. I was REALLY shy to do it, but I made sure to do it politely and apologetically. Do you sleep in a bra? What mad lad sleeps in a bra???????????? Has your ex ever gone out with someone close to you? No. Can you suggest someone funny on YouTube? I'll go for someone what isn't my obvious vote, ha ha. There are truly so many, but Garrett Watts is high on the list. Elena Bateman, too. Can you do a handstand? No. Has anyone close to you ever been suicidal? Yes. Have you ever broken someone's heart and didn't care? Tyler sure acted like I did, and to be entirely frank, I didn't care very much, but only because it was a HUGE overreaction and I knew he'd be fine quick. What color is your hairbrush? It's just a white comb. Who was your most recent call from? My psychiatrist. Have you ever watched someone die? Only animals... It's the absolute worst. Are you currently "seeing" someone? No. Are you friends with someone who's autistic? I might be, but I know my niece is on the spectrum. Do you like humans? To be entirely transparent... I think I wish humans were never a thing. We've done so, so much harm to the planet, some things irrevocable. Earth would be a much healthier, far more peaceful place if we'd never existed. Do you like pandas? I love pandas. P.S., fuck outta here if you're one of the people who don't support conservation efforts for them. That shit blows my mind. What do you think of Evanescence? They're great. Amy's voice is absolutely incredible. I don't even think that's an opinion, but global fact, ha ha. What do you think of Avenged Sevenfold? I like some of their stuff. I haven't heard a whole lot though, honestly. What do you think of Halestorm? ^ Do you think you are attractive? God no. I don't see me as an attractive person at all. Do you like dinosaurs? I love 'em; I was OBSESSED as a kid, and my first aspired job was a paleontologist. Do you like lasagna? No. Do you share a room? No. When was the last time you climbed a tree? Never, actually. Have you ever been hospitalized for more than 2 weeks? I think my longest was three. What can you do that none of your friends can do? I dunno. Why did you last go to the airport? Mom and I were dropping Sara off so she could go home. Who was the last person to see you in your underwear? My mom. Who’s the most attractive female you’ve ever seen? Maybe Alissa White-Gluz from Arch Enemy? Or my friend Alon. I'm certain there's more, because women are just so fuckin beautiful asdkfajlwejkrjqwe Red, white, yellow, or pink roses? I actually like the original, rich red. Do you think someone would ever want to marry you? Well, two people have, but one absolutely doesn't anymore and the other knows that it's not healthy or emotionally safe for either of us to imagine that at this time. I don't know if anyone ever will again. Do you like Thanksgiving? No. Like I enjoy the focus on thankfulness, but the history isn't right and I don't enjoy the food. Do you ever wear colored eye liner? No. Have you ever used a darkroom? No. Have you ever been "popular"? No. Has someone ever tried to convert you? Yes. Have you ever been told that you dress like a slut? No, not that how someone dresses has any relevance to their sexual activity. What’s your most recent obsession? Final Fantasy X jfccccccc. Video games or board games? The former. Are you scared of tarantulas? As much as I talk about them... you can probably tell I have a massive interest in them, ha ha. However, even though I love them, they're still sorta scary. Like, threat poses are no joke. And it's terrifying on the very rare occasion they hiss. During Covid, do you wear a mask or no mask? I'm fully vaccinated, and yet I still wear a mask because I'm a considerate human fucking being. Do you have a PlayStation 4? No, but I reeeeaaally want one. :/ Have you ever played Fortnite? Nah, not my type of game. Do you like anime? Yeah. Have you ever been on a boat? Yeah. I was always SO excited as a kid when Dad would take the boat out for a fishing trip. Have you ever played Kingdom Hearts? I've played some of it with Jason. I wasn't a fan of it. Have you ever built a snowman? Yes. DC or Marvel? I don't really have a preference.
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Do you prefer your nails long or short? Why? Short, because I can't keep my nails long for the life of me. I pick/peel my nails badly. Do you have any vinyl records? No. Are you still in touch with your best friend from high school? No. Have you ever visited any celebrity gravesites? No. How do you feel about archaeology? It's extremely fascinating. Would you have a big cat (like a tiger) for a pet if you could? No. I could never provide the environment they need, and it's simply not safe. They are not domestic animals, and even the ones that seem most tame can surprise you. What are your favorite smells? Cinnamon rolls, coffee, lilac, fresh baked bread, barbecue, etc. Have you ever had to block people online for harassing you? I'm not sure, actually... What is your favorite thing to do on The Sims? Surveys have a lot of questions about those games... I only ever played the ones that focused on animals, and I think I most enjoyed breeding them and naming the bbz. :^) And watching their behavior. Which hair color you've had has been your favorite? Red. If you were stupid-rich, would you ever actually want a mansion? No. I do not need all that room, nor am I wasting my money on such excessive space. What drinking games have you played? None. Do you take lessons for anything? No. Has something really heavy ever fallen on you? No. If you wear makeup, what colors do you usually wear? Only black. Does your shower have curtains or a glass door/wall? Curtains. If you have more than one pet, do they ever get jealous of each other? One is a snake and the other is a cat, so. Is there a room in your house that you don’t like going in? No. Besides salt and butter, do you put anything on your popcorn? Nothing besides what you mentioned. Are you lonely? I'm way too lonely for it to be healthy. Do you like pineapple? Yep. Have you ever seen fireflies? Yes; they're endemic to here. Have you ever trespassed? As a kid, yes. Do you raise your hand or participate in class? I did sometimes. Are you afraid of heights? Yes. Are you afraid of the dark? No. Would you ever be your school’s mascot who wears that costume? No. Have you ever written a poem? I've written a lot. Would you ever be a tornado chaser? FUCK TO THE HELL NO. What is your favorite thing to eat with bbq sauce, if you even like that stuff? I hate bbq sauce. Have you ever had to do a class in summer school? No. Have you ever been to the rainforest? No. Ever thought about writing a book? Yes. Have you ever had a dream where you killed someone? Yes. Have you ever solved a Rubik’s Cube? Nope. Have you seen all of the Jaws movies? No, only the first one with Tyler. It was aight. Have you ever had a black eye? No. Is your ex sexually attractive to you still? I haven't seen a picture of Jason in years, and I don't want to. Not because I care about how he looks now, it'd just be extremely triggering to see his face. I still find Sara gorgeous. Have you ever been to couple’s counseling? No. How often does your employer ask you to work overtime? N/A When was the last time you were scared? Ummmm I really can't say I know. What’s your favorite song by Rihanna? "Disturbia" is where it's AT. There's this synthwave edit of it that I positively adore. Can you speak binary? No. Have you ever had a pet that you disliked? A family pet, yes. Do you like boys with long hair? UGH yes. Do you like root beer? Not really, no. Do you like ice cream cake? Not really. Do you ever dream of yourself dying? That's not all that rare in my nightmares. What song always makes you sad? I think two songs are tied for what makes me most sad: "Stairway to Heaven" by Led Zeppelin and "Eternally Yours" by Motionless In White. Were you mean as a little kid? No; I was a sweet kid. Have you ever tried spam? No, it looks SO gross to me. How fast can you run? This is pathetic, but I don't think I CAN run. My knees are too weak. I think my weight coming down on them would just make me crumple over. Have you ever bought something from Spencer's? Yeah. Have you ever been on a diet? I've tried diets many times. Do you prefer light or dark jeans? Dark. When you listen to music, do you generally sing along, or just listen? I almost always just listen. Do you have any of your exes as friends on Facebook? Yeah. Who was your first love? Do you ever miss that person? Jason. I miss his memory every day. I say "memory" because it's been years, and I have no way of knowing who he is today. How many cars are parked at your house right now? One. Has anyone ever told you you’re a control freak? No. Do you know anyone who has gone missing? If so, were they ever found? Not personally. What was the spiciest thing you’ve ever eaten? Some wings with extremely hot sauce at Buffalo Wild Wings. Have you ever deliberately tried to get someone drunk? Um yeah, no. Do you like sprinkles on your ice cream? No. I don't like sprinkles in general. Do you know how to do the moon walk? No. Has anybody ever told you that you have a good singing voice? Yes, somehow. Onion rings or french fries? French fries, for sure. Who is the best cook that you know? Dunno. If you have your ears pierced, when did you get them pierced? When I was a kid. I don't remember the age, but I was old enough to decide myself that I wanted them pierced. If you have siblings, have they moved out or do they still live with you? They have their own places now. Do you like fried rice? Yessss. Are there any animals you refuse to touch? Some bugs. Have you ever intentionally fed a house spider? I don't believe so, no. What makes you feel lucky? That I have the family I do. What is something nice going on in your life right now? Just the gym-going, really... Who’s the worst person you’ve encountered on the Internet? An old friend I just knew as Shakes. If death wasn’t a consequence, what would you try? Maybe sky-diving, idk. Has a teacher ever told you off? No. Have you ever told off a teacher? No. Do/did you take school seriously or not? I certainly did. How do you usually cope with breakups? Not well. I obsess over how something's wrong with me and I'm not good enough for anyone. Disney princess or Disney animal movies? Animals, for sure. What's your favorite Katy Perry song? It's evading me right now... Have you ever made/tried friendship bread!? Omg, I forgot that was a thing! I actually have. I've completely forgotten the gist of it or even how it tastes, but I remember I loved it. What do you want to know about the future? If I'll ever be content and happy. What's your biggest insecurity? My weight. Ever found something disgusting in your food while eating out? No, thank god. Does the area where you live have a good or bad reputation? A very bad one. Are there any holidays that you don't celebrate? Yeah, like St. Patrick's Day, among some others. If you could find out who you're gonna marry right now, would you? Yes. Save myself time and heartbreak. How important is it to you that your partner has the same religious views? I wouldn't date someone very religious. If they're more tame about it, that's fine, but I'd prefer to not date a religious individual. Do you own a Wii? Yeah. I've kinda been wanting to play Guitar Hero or Rock Band lately on it... Do you like a lot of cheese on your pizza? "A regular, reasonable amount of cheese." <<<< This. I really don't like when things are so cheesy that it leaves a ridiculous trail when you try to separate pieces. Have you ever been made fun of because of your sexuality? Not directly to my face, but I can guarantee people I know had certain ~opinions~ on it when I came out. I also like just came out as pansexual versus bi, and I'm not even telling a lot of people in my personal life because I know they'll find the concept absolutely ridiculous. What would you do if you found an abandoned animal? "Depends on what type of an animal it was, and whether it was friendly or skittish." <<<< This. I'm obviously not going to try to usher a rabid dog over to me (I'd call a rescue or something if the animal appeared potentially dangerous), but if the animal appeared safe, my heart would absolutely lead me to try and get the animal to come to me so I could take it home and try to find the owner. Have you ever kissed someone who had a tongue piercing? No. What singer/band do you think deserves to be more famous than they are? Jonathan Young from YouTube. He is INCREDIBLE. He deserves to be picked up by a label so badly. What is your favorite PlayStation 1 game? The original Silent Hill, no competition. Do you think objectum sexuals are real, or attention seekers? I really can't imagine someone pretending to want to fuck their car for attention. I don't get it AT ALL, and it's weird as shit to me, but I mean, I don't think people can control what they're attracted to. How far out of your age bracket would you date? 21-early 30s, probs. Have you ever had an STD? No. Have you ever tried pho? No. Pick one: Crash Bandicoot or Spyro? Spyro!!!! I have the original trilogies of both series, but Spyro is where it's AT. Does your job allow piercings or tattoos? I'm unemployed, but I wouldn't work at a job that didn't, honestly. If you could dye your hair any color right now with absolutely no restrictions, what color would you dye it? Maybe like a galaxy-esque mixture of layered colors. I've wanted that for YEARS. Have you ever known a white supremacist? This region is swimming in them. Have you ever spoken to a detective before? No. Do ladders scare you? Climbing them does, yes. Do you have any tattoos on your arms? Yeah. Have you ever thrown up on anybody? Unless I did unknowingly as a baby, no. How many people have you turned down when they asked you out? Uhhh two or three, maybe? What is your favourite kind of fruit cobbler? I actually haven't tried enough to have an educated favorite, but I can say I love peach. Do you hear any other people talking right now? I'm watching a let's player play Sekiro: Shadows Die Twice, so I hear her, obviously. When was the last time you started a new medication? It's been a while, idk. What is your favourite type of nut? Cashews, I guess. I don't really like nuts, but I definitely like cashew bars. Where did you eat the best pizza you’ve ever eaten in your life? ... Domino's lmaoooo. Did you ever watch The Rugrats when you were a kid? Yeah, I loved that show. I even had two video games. Do you know anyone who was adopted? Yes. Can you name all 50 US state capital cities? No. Can you tie balloons? I can't, actually. Have you had a deep conversation with anyone today? Yeah. I wanted Sara's advice on something I'm dealing with. On your Facebook friends list, who was the last person to have their b-day? One of my sisters' was yesterday, actually. What did you/are you having for dinner tonight? I had Special K cereal. Name some healthy foods that you enjoy eating. Strawberries, apples, bananas, (sometimes) broccoli, other things that aren't coming to me. Who was the last person you Facebook messaged? My friend Girt. What flavor was the last cupcake you ate? The cupcake itself was chocolate, and the icing was uhhhh... blue? Apart from sleeping, what do you plan to do tonight? I haven't done anything of note. I'm probably going to bed soon. What’s the age difference between your parents? Two years, I think. When was the last time you ate an apple? Today. I have been on a big sliced apples w/ peanut butter kick lately. Have you had any caffeinated beverages today? I have soda every day. :x Have you eaten any chocolate today? What kind? Mom brought me a Reese's home today when she went out with a friend. How many different towns/cities have you lived in? Three. Have you ever written a song or poem for someone special? Poems, yes. Are you attracted to the last person you Facebook messaged? Not very much physically. Emotionally... I don't know. Do you have any ice cream in your freezer? What flavor is it? No. Ice cream is my #1 comfort food, so that's a big "keep out of the house."
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To be fair he's 17 and seems to have grown up with enough money that he's never had to think about these things. I imagine given time he'll eventually learn especially considering the opinions of the people he surrounds himself with.
I understand It's a little frustrating to listen to someone so privileged talk up capitalism but we gotta keep in mind how few young people even consider the economic systems they live under in any depth. I know it's more common now to see teens saying eat the rich on tik tok but when I was in high school only a few of my friends or classmates had an interest in politics and economics. It's just not terribly encouraged under the system we live in to look around at the water we're swimming in.
Nah nah, I know all that, dw anon. In high school, I grew up in a wealthy suburb, where I was the only Hispanic, queer, politically-oriented, or low income person in a friend group full of STEM, East Asian and white, cishet kids. I am very aware of just how rare it is for high schoolers to have a proper sense of the economic and political realities of their communities, let alone the rest of the world. I'm really just throwing pot shots at Tubbo here, just because it's something I do with anyone who has a conservative-leaning, simplistic view of the world. Many of the people I knew and know, who were/are right-leaning in any sense of the word, were because of simple ignorance and youth, so I've never really been one for attacking them or seriously criticizing them, as I would a middle-aged or elderly adult with such views. Most kids like this just have mentalities like, "but there are female CEOs and politicians, so how can sexism still be that bad?," "but if they wanted to come to this country, why didn't they just fill out the forms and ask?," "but no one really hates gay people anymore, so how can homophobia still exist?," etc, etc. Yk, it's like that kinda ignorance that comes from a simplistic view of the world, ig. Just in Tubbo's case, it manifests as, "but if rich people give so much money to charities, how can corporations be that bad?," which is a frustrating thing to know a lot of CCs probably think, but isn't really something I'll totally fault him for
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The Story Behind Every Song On Will Butler’s New Album Generations
Will Butler has a lot on his mind. It has, after all, been five years since his solo debut, Policy. A lot can happen in half a decade, and a lot has happened in this past half-decade — much of it quite dire. Butler was in his early 30s when Policy came out, and now he’s closing in on 40. He’s a husband and father. And he’s shaken by the state of the world, the idea of being an artist and a soon-to-be middle-aged man striving to guide his family through the chaos.
At least, that’s how it comes across through much of Generations, his sophomore outing that arrives today. Generations is a big, sprawling title by nature, and the album in turn grapples with all kinds of big picture anxieties. Mass shootings, the overarching darkness and anxiety of our time, trying to reckon with our surroundings but the system overload that occurs all too easily in the wake of it. Then there are more intimate songs, too, tales drawn from personal lives as people plug along just trying to navigate a tumultuous era.
Butler is, of course, no stranger to crafting music that seeks to parse the cultural moment and how it impacts in our daily lives. Ever since Arcade Fire ascended to true arena-rock status on The Suburbs 10 years ago, they have embarked on projects that explicitly try to make sense of our surroundings. (Not that their earlier work was bereft of heavy concepts — far from it — but Reflektor and Everything Now turned more of a specific eye towards contemporary ills and trials.) But as one voice amongst many in Arcade Fire, there is a cinematic scope to whatever Butler’s playing into there.
On Generations, he engages with a lot of similar concerns but all in his own voice — often yelping, desperate, frustrated then just trying to catch a breath. Butler leans on his trusty Korg MS-20 throughout Generations, often giving the album a synth-y indie backdrop that allows him to try on a few different selves. There are a handful of surging choruses, “la-la” refrains batting back against the darkness, slinking grooves maybe allowing someone the idea of brief physical release amidst ongoing strife.
Ahead of Generations’ arrival, Butler sent us some thoughts on the album, running from inspiration between the individual tracks to little details about the arrangement and composition of different songs. Now that you can hear the album for yourself, check it out and read along with Butler’s comments below.
1. “Outta Here”
I think this is the simplest song on the record. Just, like, get me out of here. Get me fucking out of here. I’m so tired of being here. No, I don’t have another answer, and I don’t expect anything to be better anywhere else. But, please, I would like to leave here.
I can play plenty of instruments, and can make interesting sounds on them, but kinda the only instrument I’m good at is a synth called the Korg MS-20. That’s the first sound on the record. It makes most of the bass you hear on the record. It’s a very aggressive, loud, versatile machine, and I wanted to start the record with it cause I’m good at playing it and it makes me happy.
2. “Bethlehem”
This song partly springs from “The Second Coming” by William Butler Yeats: “What rough beast, its hour come round at last, slouches towards Bethlehem to be born?” Like a lot of folks, I woke up after the election in 2016 mad and sad and scared and exhausted. This song is born of that emotion.
My bandmates Jenny Shore, Julie Shore, and Sara Dobbs sing the bridge, and it’s a corrective to my (appropriate?) freaking out — this isn’t the apocalypse. You’re misquoting Yeats. Get your fucking head on straight. History has not ruptured — this shit we’re in is contiguous with the shit we’ve been dealing with for a long, long time. But still, we sometimes do need an apocalyptic vision to make change. Even if it’s technically wrong. I dunno. It’s an ongoing conversation.
There’s a lot of interplay with backing vocals on this record — sometimes the narrator is the asshole, sometimes the backing vocals are the asshole. Sometimes they’re just trying their best to figure out the world. This song starts that conversation.
3. “Close My Eyes”
I tried to make these lyrics a straightforward and honest description of an emotion I feel often: “I’m tired of waiting for a better day. But I’m scared and I’m lazy and nothing’s gonna change.” Kind of a sad song. Trying to tap into some Smokey Robinson/Motown feeling — “I’ve got to dance to keep from crying.”
There’s a lot of Mellotron on this record, and a lot of MS-20. This song has a bunch of Mellotron strings/choirs processed through the MS-20. It’s a trick I started doing on the Arcade Fire song “Sprawl II,” and I love how it sounds and I try to do it on every song if I can.
4. “I Don’t Know What I Don’t Know”
This makes a pair with “Close My Eyes” — shit is obviously fucked, but “I don’t know what I don’t know what I don’t know what I can do.” I’m not a proponent of the attitude! Just trying to describe it, as I often feel it. In my head, I know some things that I can do — my wife Jenny, for instance, works really hard to get state legislatures out of Republican control. Cause it’s all these weirdo state legislative chambers that have enormous power over law enforcement, and civil rights, and Medicaid, and everything.
The image in the last verse was drawn from the protests in Ferguson in 2015: “Watch the bullets and the beaters as they move through the streets — grab your sister’s kids — hide next to the fire station…” It’s been horrifically disheartening to see the police riot across America as their power has been challenged. I’ve got a little seed of hope that we might change things, but, man, dark times.
More MS-20 bass on this one, chained to the drum machine. This one is supposed to be insanely bass heavy — if it comes on in a car, the windows should be rattling, and you should be asking, “What the heck is going on here?” Trying for a contemporary hip-hop bass sound but in a way less spare context. First song with woodwinds — rhythmic stuff and freaky squeals by Stuart Bogie and Matt Bauder.
5. “Surrender”
This song is masquerading as a love song, but it’s more about friendship. About the confusion that comes as people change: Didn’t you use to have a different ideal? Didn’t we have the same ideal at some point? Which of us changed? How did the world change? Relationships that we sometimes wish we could let go of, but that are stuck within us forever.
It’s also about trying to break from the first-person view of the world. “What can I do? What difference can I make?” It’s not about some singular effort — you have to give yourself over to another power. Give over to people who have gone before who’ve already built something — you don’t have to build something new! The world doesn’t always need a new idea, it doesn’t always need a new personality. What can you do with whatever power and money you’ve got? Surrender it over to something that’s already made. And then the song ends with an apology: I’m sorry I’ve been talking all night. Just talk talk talking, all night. Shut up, Will.
Going for “wall of sound” on this one — bass guitar and bass synth and double tracked piano bass plus another piano plus Mellotron piano. The “orchestra” is about a dozen different synth and Mellotron tracks individually detuned. And then run through additional processing.
6. “Hide It Away”
This song is about secrets. Both on an intimate, heartbreaking level — friends’ miscarriages, friends’ immigration status, shitty affairs coming to light — and on a grand, horrible level: New York lifting the statute of limitations on child abuse prosecutions, all the #MeToo reporting. There’s nothing you can do when your secret is revealed. Like, what can you do? You just have to let the response wash over you. If you’ve done something horrible, god-willing, you’ll have to pay for it in some way. If it’s something not horrible, but people will hate you anyway, goddammit, I wish there were some way to protect you.
This song has the least poetic line on the record, a real clunker: “It’s just money and power, money and power might set them free.” But it’s a clunky, shitty concept — the most surefire protection is being rich and knowing powerful people. But even then, shit just might come out. Even after you’re long dead.
Came from a 30-second guitar sample I recorded while messing around at the end of trying to track a different song. I liked the chords, looped them to make a demo. And the song was born from there. This is the one song I play drums on. Snare is chained to the MS-20, trying to play every frequency the ear can hear at the same time on some of those big hits.
7. “Hard Times”
[Laughs] I sat down and tried to write a Spotify charting electro-hit, and this is what came out: “Kill the rich, salt the earth.” Oh well. Written way before COVID-19, but my 8-year-old son turned to me this spring and asked, “Did you write the song ‘Hard Times’ about now, because we’re living through hard times?” No, I didn’t.
In Dostoevsky’s Notes From Underground, the narrator is a real son-of-a-bitch—contrarian, useless. Mad at the strong confident people who think they’ve got it figured out. And they don’t! And neither does the narrator — but he knows he doesn’t, and he at times yearns for some higher answer, and he’s funny, and too clever, but still knows he’s a piece of shit. I read Notes From Underground in high school and kinda forgot how it shaped my worldview until I sat down with it a couple years ago. The bridge on this song is basically smushed up quotes from Notes From Underground.
I was asking Shiftee, who mixed the record, if there are any vocal plug-ins I should be playing around with. He pointed me toward Little AlterBoy, which is basically a digital recreation of the kind of pedal the Knife use, for instance, on their vocal sound. It can shift the timbre/character of a voice without changing the pitch. Or change pitch without changing character. Very fun! Very much all over this track. Tried to make the bridge sound like a Sylvester song.
8. “Promised”
Another friend song masquerading as a love song. I’ve met a handful of extraordinary people in my life, who stopped doing extraordinary work because life is hard and it sucks. People who — I mean, it’s a lottery and random and who cares — could be great writers or artists, who kind of just disappeared. And it’s heartbreaking and frustrating. I don’t blame them. Maybe they weren’t made for this world. Maybe it’s just random. Maybe they’ll do amazing work in their 60s!
We tracked this song before it was written. Julie and Miles came over and we made up a structure and did a bunch of takes, found a groove. Which I then hacked up into what it is now! The bed tracks are lovely and loose. Maybe I’ll put out a jammier version of this song at some point. The other big synth on this record is the Oberheim OB-8, and that’s the bass on this one (triple tracked along with some MS-20).
9. “Not Gonna Die”
This song is about terrorism, and the response to terrorism. I wrote it a couple weeks after the Bataclan shooting in Paris in 2015. For some reason, a couple weeks after the shooting, I was in midtown Manhattan. I must have been Christmas shopping. I had to pop into the Sephora on 5th Avenue to pick up something specific — I think for my wife or her sister. I don’t remember. But I remember walking in, and the store was really crowded, and for just a split second I got really scared about what would happen if someone brought out a gun and started shooting up the crowd. And then I got so fucking mad at the people that made me feel that emotion. Like, I’m not gonna fucking die in the midtown Sephora, you fucking pieces of shit. Thanks for putting that thought in my head.
BUT ALSO, fuck all the fucking pieces of shit who are like, “We can’t accept refugees — what if they’re terrorists?” FUCK OFF. Some fucking terrified family driven from their home by a war isn’t going to kill me. Or anyone. Fuck off. Some woman from Central America fleeing from her husband who threatened to kill her isn’t going to fucking bomb Times Square. You fucking pieces of shit.
In November/December 2015, the Republican primary had already started — Trump had announced in June. And every single one of those pieces of shit running for president were talking about securing our borders, and keeping poor people out, and trying to justify it by security talk. FUCK OFF. You pieces of shit. Fuck right off. Anyway. Sorry for cursing.
I kind of think of the outro of this song as an angry “Everyday People.” Everyday people aren’t going to kill me. Lots of great saxes on this track from Matt Bauder and Stuart Bogie.
The intro of the song we recorded loud, full band, which I then ran through the MS-20 and filtered down till it was just a bass heart-pulse, and re-recorded solo piano and voice over that.
10. “Fine”
I kind of think that “Outta Here” to “Not Gonna Die” comprise the record, and “Fine” operates as the afterword and the prologue rolled into one. An author’s note, maybe. It was kind of inspired by high-period Kanye: I wanted to talk about something important in a profane, sometimes horribly stupid way, but have it be honest and ultimately transcendent.
In the song, I talk semi-accurately about where I come from. My mom’s dad was a guitar player who led bands throughout the ’30s and ’40s. In post-war LA, he had a band with Charles Mingus as the bass player. Charles Mingus! One of the greatest geniuses in all of American history. But this was the ’40s, and in order to travel with the band, to go in the same entrances, to eat dinner at the same table, he had to wear a Hawaiian shirt and everybody had to pretend he was Hawaiian. Because nobody was sure how racist they were supposed to be against Hawaiians.
Part of the reason I’m a musician is that my great-grandfather was a musician, and his kids were musicians, and their kids were musicians, and their kids are musicians. Part of the reason is vast generations of people working to make their kids’ lives better, down to my life. Part of the reason is that neither government nor mob has decided to destroy my family’s lives, wealth, and property for the last couple hundred years. I tried to write a song about that?
Generations is out now via Merge. Purchase it here.
https://www.stereogum.com/2098946/will-butler-generations-song-meanings/franchises/interview/footnotes-interview/
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Exchanges and Compromises - Chapter 12
It was decided then that the Talon - Dick Grayson - should accompany Jason to the Wayne Manor. The Oracle has decided that being the only one without 'attachment', i.e. normal people's identity that could be used against them.
The pretty little kitten's name, Jason eventually found out, was Tim Drake. And he would be providing one of the exit strategies. His home, apparently, was right next to the Wayne Manor. His words about knowing of losing parents through violence only made sense after Jason googled the name, and discovered the news article on the kidnapping and murder of Jack and Janet Drake, Tim's parents. It was apparently quite a news back then, only Jason never heard of it since he was already residing in Eth
He was right when he guessed - mostly through his manner and speech - that Tim Drake was rich. The Drake House - although smaller than the Wayne Manor - was still bigger than most homes in the suburbs that Jason knew of. Plus there was a massive yard, sky-high fence, several garages, a greenhouse, and a garden.
And then there were the tunnels.
Tim said that according to the Waynes' side of the architecture, the tunnels tend to lead to nowhere, and were not sturdy enough to be explored. Tim, however, had explored the tunnels when he was really little - as in ten-year-old 'little' and discovered that most were natural tunnels and have exits.
"I hope you've explored with someone who's like, my size." Jason reminded him just as they laid down the plans to him.
Tim glared at him top-to-bottom and then glared at Dick.
"Yeeeah... he's definitely not my size." Jason pointed out. Dick might have been muscular, but more on the lean side. Jason was built like a brick house and a few inches taller and wider than Dick.
"If it's any consolation, I didn't need to squeeze through anything when I went," Dick told him.
"I'll map the dimensions of the exits, anyway, just in case. We went with cameras back then." Tim said. "And now that we've covered the exits, how about the entrance? Would you rather walk right up there and say something along the line of, 'hey, I'm here to deliver the next Wayne heir. And by the way, you owed Talia Al Ghul some child support, but on the bright side, you won't need to pay 'em anymore,'?"
"Yeah, that sounded like a really quick way to get into an altercation." Jason retorted.
"I advise you, Tim, to take them there. Sort of like safety in numbers scenario - whatever happened, the Waynes won't be able to... make Jason and Damian 'disappear' because someone else already knew of their presence in Gotham." Barbara advised. "I've put the articles on stand-by, and shall have Vicky Vale start sniffing around by one week."
"We've got Grayson here as an extra pair of watchful eyes, so to speak. I don't think they'll do anything dramatic." Jason reminded. "Also, if they think they could kill me and take Damian just like that, they might be in for a surprise. Damian isn't... easily persuaded through blood and gore." He stopped short of accidentally revealing that the 'training' he and Damian returned from when they discovered the death of Ra's and Talia at the Algol Island had been Damian's 'training' in death and destruction. Colloquially referred to as the 'Year of the Blood', Damian was sent to retrieve a number of relics from around the world; most held in private collections by colonists who had acquired said relics from native people by force. Combine 'acquisition' and 'force', it was safe to reason that said 'colonists' would have had armies protecting the relic. And Damian had gone through them fairly easily.
And bloodily.
But that was not something Jason would reveal. It would be up to Damian's discretion - later or never - to tell his father. Surely he would not wish to have such thing revealed to a group of people calling themselves 'heroes'.
"I'm in favor of the more the merrier, really. In spite of me being the so-called 'extra' pair of eyes, Tim Drake has higher visibility when it comes to... well... the common people..." Dick remarked. "There might not need to be blood and gore in the immediate future. Plus, I'm not there as a Talon."
"You're there as Damian's guard, the White Ghost. Anyone familiar with the lores surrounding the Al Ghuls would not suspect a thing..." Jason started.
"Can I be the blue ghost, instead?" Dick wanted to know, grinning impishly.
Tim, too, was grinning impishly.
"What," Jason growled, suddenly realized that he was being played.
"I kinda liked blue better than white, y'know?" Dick replied.
"You're not taking this seriously, are you?"
"Oh, I am. I mean, there's a kid's life on the line; a lot more money than I'd ever seen if they were in the form of unpopped corn kernels; heritage; people of Gotham, etc, etc... why wouldn't I take this seriously?" Dick replied as he walked away from the table. "But I still think I look better in blue, right?" he added, pulling out a set of costumes from the cabinets. It was modeled after Jason's costume - "to have a more cohesive look between us," Dick had said. And it was in blue, whilst Jason's was in green.
He groaned exasperatedly. "There is no blue ghost in our ranks..."
"Well, they don't need to know that, do they?" Dick reasoned.
Jason glared at Tim for help. But the boy shrugged, "he's had that made since the day you came. He actually has several sets of those... He said your outfit made for pure awesome day clothes. I, too, worry about his fashion sense."
"Why." Jason partly wanted to know, partly wanted to know what the hell he'd done in the past that landed him with the Marx brothers right there. His costume would work well for the desert - where the Al Ghul's strongholds were mostly at; the jungle surrounding the Al Ghul Island where Damian and Talia would reside during the summer months; or in combat. For daily use, however, Jason would have worn normal suits. "For the love of all things mighty, you folks didn't look through my suitcase, did you?"
"Oh, we know of the suits. The normal people suits, don't worry. I have those made for Dick, too - in blue as per his insistence." Oracle intoned. "And no, Richard, you are not wearing costumes when you walk to the Waynes' front door."
Thank god for the voice of reason.
"Aww... buuuut, it will be more impressive!" Dick wailed, dead-set looked crestfallen, and gave puppy-dog eyes toward Oracle. Jason sighed again. For what seemed like the umpteenth time of the day.
"No means no, Dick. Now, if you'd come up straight from the desert and whatnot, that wouldn't be so strange. But you - and by 'you' I meant Jason and Damian - arrived in Gotham more than a week ago and stayed at the Ritz, 'fer cryin' out loud!" Oracle snapped back.
"Ritz this ain't, but I agree, if we've stayed at the Ritz, there would be questions as to why hasn't anyone seen us. My costume isn't exactly made for urban living." Jason pointed out. Dick was still sulking, but it looked like he - thankfully - finally conceded.
"Fine, I'll wear the monkey suits..." he grumbled. Jason mouthed a 'thank you' toward the projection.
"Okay! Next, backstory excluding the fact that... Talia and Ra's' being murdered and stuff - that what you're planning to say right, Jason?" Oracle continued, ignoring Dick's whines.
"Yes, there's no point in hiding it since Wayne would want to know who the mother was, and we have set out news stating Ra's and Talia Al Ghul being killed in an airplane crash," Jason told her.
"I've seen that news and marked all the news portals that mentioned them. I would like you two to keep an eye on Bane's reaction, as minute as they might be. Dick?"
"Got it. If he as much as breathe wrong in Damian's direction, we kill him." Dick replied. To Tim's and Jason's withering glare, he demanded, "what?"
"Why can't we just have Tim accompanying me, anyway?" Jason finally blurted. "He could jeopardize the whole thing."
"No, he's not. He's just pulling that one out of his ass. He's not gonna kill anybody, right Dick?" Oracle prompted. "Plus, it would be fairly odd if Tim Drake accompanies you, as he himself is quite a well-known individual within the city."
"Hhh... alright..." Jason still grumbled but decided to let it go for now. There were far more important objectives to be had.
"I much prefer Grayson to be with us as well, Jason." Damian suddenly piped up. He has been sitting there, at the head of the table, watching the processions. "With most adult's predisposition to undermine non-adults, Grayson's presence there could deter anyone from trying mischief right away." he reasoned. "Timothy, while I daresay have sufficient combat skills when required, has the benefit of being a public persona while being a child and thus would not come across as strange that I - as a child as well - should come to him first and foremost for assistance."
"Why, thanks, Damian. I think..." Tim replied.
"That is... quite an interesting psychological insight, and validated our plan, I think," Oracle remarked after a few seconds of silence. "Okay, gentlemen? Shall we get the plan rolling, then?"
"We shall," Damian replied. "I cannot wait to see how my father will react."
#Jason Todd#Tim Drake#JayTim#Red Ghost!jason#Stray!Tim#Talon!Dick#Damian Wayne#Damian Al-Ghul#Dick Grayson#Barbara Gordon#Oracle!Barbara#Batless!AU
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𝑫𝑰𝑫 𝑺𝑶𝑴𝑬𝑩𝑶𝑫𝒀 𝑶𝑹𝑫𝑬𝑹 𝑨 𝑩𝑰𝑺𝑬𝑿𝑼𝑨𝑳 𝑹𝑶𝑳𝑳𝑬𝑹𝑺𝑲𝑨𝑻𝑰𝑵𝑮 𝑺𝒀𝑵𝑻𝑯 𝑳𝑶𝑹𝑫 ???
hello, it’s nora again…. hitting u with another child. a south london-born softboi who deserves tenderness. has a burner phone and doesn’t use social media. does techno dj sets. plays the synth loudly through the night if u live in gorham his room always sounds like a space ship just landed. deals weed around campus on his rollerskates. hates that he can’t get new light up wheels because ana coto made rollerskating cool again. as is tradition, here’s the pinterest board. this intro is recycled?? so if theres mistakes, sue me??? and be sure to like and subscribe for more unboxing content x
application.
『 FIONN WHITEHEAD ❙ DEMI-MALE』 ⟿ looks like RORY BERGSTRÖM is here for HIS JUNIOR year as a MUSIC TECHNOLOGY student. HE is 23 years old & known to be ECCENTRIC, FANATICAL, NITPICKY & DOGMATIC. They’re living in GORHAM, so if you’re there, watch out for them. ⬳ ooc name. age. tz. pronouns.
aesthetics.
bed hair from a permanent state of slumber, calloused fingertips from strumming bass into the early hours and djing into the blacklit night, self-help books thumbed once and thrown beneath your bed, battered copies of choose your own adventure books, spliffs passed half-arsed across rooftops while light pollution obscures low-hanging stars, marxist literature in stacks against your bedroom walls, a burner phone twice-shattered and a stash of replacement sim cards.
tw ocd, anxiety, drugs
half-swedish, half-british. the swedish is on his mother’s side. he’s bilingual but thinks in english. only really speaks swedish around his mother. only child, and kinda put a lot of pressure on himself to be the perfect kid when he was young, but his parents are honestly, quite decent? and just want him to have a nice life, they don’t care if he isn’t successful or rich or anything, they’re honestly rather solid. (wow imagine having nice parents, a first for all my characters, im literally this meme)
grew up in peckham, a suburb of london. growing up, his mum was a model / actress / waitress who later retrained as a speech therapist and his dad worked in her majesty’s service at buckingham palace. his dad wasn’t allowed to tell his family what his job entailed but rory suspects it’s probably very boring and just involves a lot of…. logistics n security.
was bullied a lot at school. [cole sprouse voice] he didn’t fit in and he didn’t want to fit in. unironically wore a trenchcoat to school every day of his life. spent most of his lunchtimes in the library because it was his safe space. as a result he knows…. loads of useless information because 30% of his school years were spent reading anthologies on space and the vikings etc. would be good on a game show. obsessively recorded every episode of university challenge as a child.
middle-class and lowkey quite wealthy but rarely talks about money, one of those well-off people who still wears really old shitty shoes and only spends money if they absolutely have to
virgin who can’t drive
into star wars, not into the big bang theory. feminist. can’t watch horror movies
favourite film is where the wild things are. also loves the florida project. thinks kids are the sweetest thing and can’t wait to be a dad to some. right now is dad to one cat, whose name changes on a daily basis (identity is constantly shifting, duuuuude), but they were originally named ‘wheezer’
rory has been musical for as long as they can remember. first picked up guitar because he thought it would make this girl esther who he was in love with like him, but he just ended up falling in love with music instead.
formulated several different bands as a kid but ultimately had to give it up cos he was quite controlling and got fixated on making a certain sound so it wasn’t really fun for the others. got into electronic music because it was something he could do basically on his own and keep tweaking until he got it perfect
always drumming their fingers or strumming invisible guitar strings. tends to avoid parties bc he has quite has specific tastes when it comes to music and doesn’t like listening to r&b for eight hours while people throw up into plastic cups.
a techno connoisseur. has been making electronic music since he was about twelve.
after his parents divorce, when he was fourteen, rory & his mother moved to run-down suburban neighbourhood, pittsfield, massachussets.
big into photography. he mostly uses a canon 35mm camera, but occasionally uses disposable ones when he wants that more rustic feel.
moving to the states, their photography became more focused on suburban neighborhoods and are often quite dark and cinematic (think gregory crewsden). here are some shots of pittsfield i really like which rory has on his wall [1] [2] [3]
falls in love 12 times a day. never had a girlfriend or boyfriend. gets sweaty when someone cute looks at him. flirting?? what?? would prefer to idealise them from a distance
gender??? hm. doesn’t really know where he fits yet, sometimes he feels like a guy and sometimes they dont feel like anything at all. isn’t really bothered, cos they think it’s a social construct anyway. uses he/they pronouns interchangeably, but feels like ‘he’ is more fitting. won’t necessarily pull anyone up on it cos he knows having an identity that’s constantly…. in flux.. can be annoying for others … and doesn’t want to be a burden even tho it isn’t at all?? rory internalises guilt
everything is socially constructed. mirrors let you move through time. the whole thing’s a metaphor. he thinks he’s got free will but really he’s trapped in a maze. in a system. all he can do is consume. people think it’s a happy game. it’s not a happy game — it’s a fucking nightmare world, and the worst thing is, it’s real and we live in it
has ocd. tries to let it affect his life as little as possible, but obviously it’s incredibly hard to control a compulsive disorder. was teased for it at school when other kids started to notice. he was obsessed with the number five, would wash his hands five times, count stairs i groups of five, he could only use the corridors in one direction and always had to keep his hands busy. it manifests itself in hyper-fixations (trains when he was a child – specifically steam engines – then later he became obsessed with space and the patterns of constellations, and now he’s obsessed with synthesizers) and repetitive behaviours like counting stairs. doesn’t really affect his social life at all, he can jst get a bit locked-on n hyper-focused sometimes.
has insomnia. barely ever sleeps. finds it hard to switch off from work / writing / gaming / whatever’s preoccupying him in that moment. he’s always awake at 5am and quite often sleeps in through classes but still gets really good grades because he’s very good at his course. rarely attends classes. prefers to work independently. doesn’t really trust his tutors are intelligent enough to be teaching him, and is particularly suspicious of the lockwood tutors. a music snob tbh
secretly a small-scale drug dealer, only does weed n some party pills. rollerskates around campus dealing cos they dnt have a car
likes: techno, the webpage cats on synthesizers in space, allen ginsberg, vintage gramophones, floating points, lcd soundsystem, marijuana, soft dogs that let you pet them, late-night strolls talking about the universe, independent films, cigarettes, herbal tea, gallows humour, long showers, brown eyes, tchaikovsky, dr. seuss, constellations, photography, late night jazz, vintage game boys and girls who could rip his still-beating heart out of his chest and use it as an ashtray. dislikes: weddings, funerals, formality, button-up shirts that people actually button-up, bananas, hot coffee, social media, people who watch and play sports, rap music – especially of the misogynistic variety, indie wankers in wire-framed glasses that play ed sheeran songs at open mic nights.
plot ! with ! me ! i’d say all the usual “exes fwb hookups spiel” but rory… is very tender and tame… i feel like a deer in the headlights of love……. so give me
study buddies,
people who are also into techno and are music snobs about it,
people who love all kinds of music,
people who are in bands that maybe rory’s recorded and produced stuff for,
people he actually jams with (he plays bass and synth),
unrequited crushes!!
someone they met at a knitting club in freshman year and have remained friends with despite no longer going to it
people rory knows from open mic nights and gigs
library girlfriends / boyfriends that he stares at longingly while paging through leatherbound volumes
gamers !!! social recluses !!! hermits !!
people he deals weed to on his rollerskates (why r all my characters obsessed with rollerskates)
skaters. rory is really shit at skateboarding. like really shit. help the smol
hm now that rory has !Evolved! ig we can do hook up plots if u want but he’s not tht good at divorcing sex from emotion?? like he hooked up w teddy once n felt hopelessly inlove so..... if u want soft plots b prepared for crippling sadness.......
stay groovy XD XD
#radintro#plot with me cowards#said in a very soft and tender way. whispered. im but a small bug in a gutter.
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